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Ava Barry was a script reader for Bold Films and Intrigue Entertainment, and an editorial assistant for Zoetrope: All-Story, Francis Ford Coppola's literary magazine. Windhall is her first novel. She lives in Australia.
Ava Barry's website
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You've lived in Australia for several years. Was it a challenge to write about Hollywood, both old and contemporary, from such a distance?
I'm actually a native Californian who lived in Los Angeles for three years after college in Santa Cruz. On my days off I would drive around and visit all these famous sites: the Witch House in Beverly Hills, filming locations for Chinatown, Westwood Memorial Park where Marilyn Monroe's crypt is. I'm obsessed with both present-day Los Angeles and the city's rich history.
What is it about the golden age of Hollywood that grabbed you to begin with?
It contained the perfect balance of incredibly talented people and a limited amount of authority or oversight. Even in the '40s, Hollywood was still considered by some to be the Wild West. Adventure and new frontiers have always appealed to me, and Los Angeles in its infancy was kind of the last American frontier. It grew to become this chaotic adult playground. The craziest story I read is probably the one about the corpse of John Barrymore: director Raoul Walsh borrowed his friend's dead body from a funeral home and took it to Errol Flynn's as a prank. Events like that were the norm. There was a haunting element to many of the stars' lives, which...
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