John Berendt Interview, plus links to author biography, book summaries, excerpts and reviews

John Berendt

John Berendt

How to pronounce John Berendt: BAIR-int

An interview with John Berendt

John Berendt describes the stylistic links between Midnight in the Garden of Good and Evil and his more recent book, The City of Falling Angels, and the aspects of Venice he most enjoys after living there on and off for nine years.

Midnight in the Garden of Good and Evil and The City of Falling Angels are both multi-list bestsellers and widely acclaimed books. Have you been surprised by their success? What do you think attracts people to your work?

My best guess is that what appeals to readers most in both books are the characters. Time magazine said I had become "a state-of-the-art weirdo magnet." What they meant was that the people I write about tend to be very strange. They are, in fact, eccentrics. I love eccentrics. I see them as artists. Their masterpieces are their own lives.


Midnight in the Garden of Good and Evil marked your style of nonfiction as unique and groundbreaking. Now, The City of Falling Angels brings Venice alive for readers the way Midnight did for Savannah, Georgia. What do you think the major hallmarks of your writing style are?

I write in the form of what has been called, the New Journalism, or Narrative Nonfiction, or even Literary Nonfiction. Simply put, I write true stories in the style of short stories and novels. I use the literary techniques of fiction writers: extended dialogue, detailed descriptions, the imposition of a narrative structure with action moving from scene to scene.


The huge media buzz that Midnight in the Garden of Good and Evil created turned you into a kind of celebrity. How do you think the attention from social and gossip columnists has affected your work as a journalist? Did you find that you were as easily recognized by face or name while in Italy?

What notoriety I gained from all the publicity has proved to be a double-edged sword. It has made some people very eager to be interviewed by me and others afraid and standoffish. I was not as easily recognizable by face and name in Italy as in America, but Midnight was quite well known there, as both a book and a film (under the name Mezzanotte nel giardino del bene del male).


The incredible timing of your trip to Venice, which landed you in the city just days after the burning of the Fenice, gave you the perfect opportunity to create a central thread for The City of Falling Angels. How much of a role did coincidence play in the gathering of information for this book?

Coincidence has been a major factor in the researching of both my books. While I was living in Venice, I always carried a small notepad in my back pocket; I figured I was on duty as a journalist day and night. I would see people in the street who interested me, and I'd engage them in conversation. I'd hear a remark that would send me off in an unexpected direction. My approach in the research phase was to be flexible, to follow my hunches without always knowing where they would lead.


Several prominent and not-so-prominent Venetians express their concern about the rising water levels in Venice. Have you formed an opinion about the issue after hearing so much about it? How do you think the problem can be solved?

Yes, I do think it can be solved. The technology is there. The only uncertainty is exactly how fast the water is rising and whether the proposed plan of moveable dikes is the best solution or only a short-term fix. Other than that, there is always the problem that Italians are congenitally unable to make up their minds. Sometimes that's a good thing, however.


On page 218, you write, "when you attach yourself to famous people . . . you become part of their story." As a writer, how do you determine which people rotating in the orbit of famous personalities or powerful individuals are worth writing about, insofar as their stories are important to the "big picture?" How do you choose which stories to weave together when creating a book like The City of Falling Angels?

It's always a question of whether the ancillary character makes a good story. In the chapter referred to here, the character rotating in an orbit around a famous person appealed to me because her story embodied a theme that runs throughout the book: the uses of the past, or as one character puts it, "the shameless exploitation of the corpse." There was also the literary link between her story and Henry James's The Aspern Papers, a relationship I found irresistible.


In Italy, as in other European countries, it seems more common for families to be able to trace their ancestry back for many generations. From your experience with the people of Venice, what do you think it does to a person's perspective on family relationships, on politics, and on life in general when one is able to point at a family tree, like Francesco da Mosta's, and see so far back in time?

Venetians who can trace their lineage back hundreds of years feel almost a physical connection to Venice, to its history and culture. And the longer the family line the greater feeling of pride.


There are so many wonderful aspects of Venice to love and enjoy. After spending so much time there, what attracts you the most to the city? How many years in all did you live there? What was it like returning to the United States afterward? Did you suffer from culture shock?

I lived in Venice on and off for a period of nine years—starting a few days after the Fenice fire in 1996, and ending when I was finished with the book and the opera house was rebuilt, in 2005. The city's magical beauty and its air of unreality are the aspects of Venice I love most.


The loss of the Fenice Opera House is important to the story of The City of Falling Angels and to the history of Venice. Have there been any new developments in the case surrounding its burning or its reconstruction?

The only news about the Fenice is that Enrico Carella, one of the two young men who were convicted of arson in the fire, is still a fugitive; his whereabouts are unknown. The other man, his cousin Massimiliano Marchetti, has been in jail three years (as of September 2006) and is expected to be released within a year.


Of all the stories you tell in The City of Falling Angels, why did you choose to end by returning to the Seguso family and the Maestro's "Fenice" glass collection?

The Seguso story was one of my favorites, and since I opened the book with it, I felt I should close the circle by ending with it as well.


Count Marcello tells the Save Venice board, "to work and operate in Venice means first of all to understand its differences and its delicate equilibrium." After completing this book, do you feel that you have achieved Marcello's standard?

The Venetians are a very Byzantine people. They thrive on mystery, intrigue, and ambiguity. I understand all that, but it doesn't mean I always understand the hidden meaning of things—or that they do either.

Unless otherwise stated, this interview was conducted at the time the book was first published, and is reproduced with permission of the publisher. This interview may not be reproduced or reprinted without permission in writing from the copyright holder.

Membership Advantages
  • Reviews
  • "Beyond the Book" articles
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $45 for 12 months or $15 for 3 months.
  • More about membership!

Books by this Author

Books by John Berendt at BookBrowse
The City of Falling Angels jacket Midnight in the Garden of Good and Evil jacket
Membership Advantages
  • Reviews
  • "Beyond the Book" articles
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $45 for 12 months or $15 for 3 months.
  • More about membership!

Read-Alikes

All the books below are recommended as read-alikes for John Berendt but some maybe more relevant to you than others depending on which books by the author you have read and enjoyed. So look for the suggested read-alikes by title linked on the right.
How we choose readalikes

We recommend 13 similar authors


Non-members can see 2 results. Become a member
Membership Advantages
  • Reviews
  • "Beyond the Book" articles
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $45 for 12 months or $15 for 3 months.
  • More about membership!

Top Picks

  • Book Jacket
    The House of Doors
    by Tan Twan Eng
    Every July, I take on the overly ambitious goal of reading all of the novels chosen as longlist ...
  • Book Jacket: The Puzzle Box
    The Puzzle Box
    by Danielle Trussoni
    During the tumultuous last days of the Tokugawa shogunate, a 17-year-old emperor known as Meiji ...
  • Book Jacket
    Something, Not Nothing
    by Sarah Leavitt
    In 2020, after a lifetime of struggling with increasingly ill health, Sarah Leavitt's partner, ...
  • Book Jacket
    A Haunting in Hialeah Gardens
    by Raul Palma
    Raul Palma's debut novel A Haunting in Hialeah Gardens introduces Hugo Contreras, who came to the ...

Members Recommend

  • Book Jacket

    Pony Confidential
    by Christina Lynch

    In this whimsical mystery, a grumpy pony must clear his beloved human's name from a murder accusation.

Who Said...

Happiness makes up in height for what it lacks in length.

Click Here to find out who said this, as well as discovering other famous literary quotes!

Wordplay

Solve this clue:

H I O the G

and be entered to win..

Your guide toexceptional          books

BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.