Lucinda Hoekke spends eight hours a day at the Complaint Line, listening to anonymous callers air their random grievances. Most of the time, the work is excruciatingly tedious. But one frequent caller, who insists on speaking only to Lucinda, captivates her with his off-color ruminations and opaque self-reflections. In blatant defiance of the rules, Lucinda and the Complainer arrange a face-to-face meetingand fall desperately in love.
Consumed by passion, Lucinda manages only to tear herself away from the Complainer to practice with the alternative band in which she plays bass ..... Hoping to recharge the bands creative energy, Lucinda suggests some of the Complainers philosophical musings to Bedwin. When Bedwin transforms them into brilliant songs, the band gets its big break, including an invitation to appear on L.A.s premiere alternative radio show. The only problem is the Complainer. He insists on joining the band, with disastrous consequences for all.
"Zany disaster ensues in this entertaining but largely insubstantial romantic farce." - PW.
"Lethem's newest is more entertaining romantic caper than daring literature. Recommended for medium to large fiction collections." - Library Journal.
"Not without its ridiculous charms, but nothing to sing about either." - Kirkus.
"Comparing this effort to, say, Motherless Brooklyn (1999) is like comparing apples to skyscrapers. Lethem's capable of entire skylines, and when was the last time you were really wowed by a piece of fruit?" - Booklist.
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Jonathan Lethem is the New York Times bestselling author of ten novels, including The Fortress of Solitude and Motherless Brooklyn, winner of the National Book Critics Circle Award. He currently teaches creative writing at Pomona College in California.
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