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Fifteen-year-old Kambili's world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home.
When Nigeria begins to fall apart under a military coup, Kambili's father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father's authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new.
"In a soft, searing voice, Adichie examines the complexities of family, faith and country through the haunted but hopeful eyes of a young girl on the cusp of womanhood. Lush, cadenced and often disconcerting, this is an accomplished first effort." - Publishers Weekly.
"This is a harsh story, almost unbearable at first, but beautifully written." - School Library Journal, recommended for adults & high school.
"This impressive first novel is redolent in its depiction of the Nigerian countryside and generates a palpable narrative tension over what's to become of Kambili and Jaja's newfound sense of freedom." - Booklist.
"Quiet, chilling, and heart wrenching, this debut novel is both a superb portrait of an unfamiliar culture and an unflinching depiction of the universal turmoil of adolescence." - Voya, recommended for young adults and up.
"The stunning denouement underscores the power of family love. Written with great sensitivity, this debut shows why Adichie has already won several awards." - Library Journal.
"Like many first-novelists, Adichie tries for too much; her portrayal of Kambili's home life is striking but provides far too incomplete a depiction of Papa. Her portrait of Nigeria is fascinating but fragmented. Auntie Ifeoma and the cousins are likable enough but not memorable. Nonetheless, with Kambili the author has created a compelling narrative-and a surprising punch at end." - Kirkus.
This information about Purple Hibiscus was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Photo © Okey Adichie
Chimamanda Ngozi Adichie grew up in Nigeria. Her work has been translated into more than fifty-five languages. She is the author of the novels Purple Hibiscus, which won the Commonwealth Writers' Prize; Half of a Yellow Sun, which was the recipient of the Women's Prize for Fiction "Best of the Best" award; Americanah, which won the National Book Critics Circle Award; the story collection The Thing Around Your Neck and the essays We Should All Be Feminists and Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions. Her most recent work is an essay about losing her father, Notes on Grief, and Mama's Sleeping Scarf, a children's book written as Nwa Grace-James. A recipient of a MacArthur Fellowship, she divides her time between the United States and Nigeria.
... Full Biography
Author Interview
Link to Chimamanda Ngozi Adichie's Website
Name Pronunciation
Chimamanda Ngozi Adichie: Chim-muh-MAHN-duh en-GOH-zee ah-DEECH-ee-(ay) The “ay” is soft, not quite a diphthong.
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