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Lev Grossman is the author of the #1 New York Times bestselling Magicians trilogy—The Magicians, The Magician King, and The Magician's Land—which has been published in thirty countries and adapted as a TV show that ran for five seasons on SYFY. He is also a screenwriter and the author of two children's books, The Golden Swift and The Silver Arrow, and his journalism has appeared in Time, Vanity Fair, The Wall Street Journal, The New York Times, among many other places. He lives with his wife and children in New York City.
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Your previous novel, Codex, is a thriller about a fourteenth-century manuscript and a sinister high-tech computer game. What is it that interests you about the intersection of contemporary life and fantasy?
I think I’ve always been interested in that intersection, even before I had any kind of proper vocabulary for talking about it. Which implies that I have one now, probably wrongly. But let me try to explain what interests me about fantasies and, really, stories in general. When we read books and watch television or movies, we’re seeing representations of people’s lives. And I always wondered, even as a little kid, why does my life, which superficially resembles a life in a story, feel so different from a life in a story? Lives in stories are exciting and vivid and meaningful. Real lives are chaotic and disorganized and frequently boring, and that feeling of meaningfulness comes and goes, out of your control. It’s hard to hang on to. Why doesn’t life feel more like a story? Like a fantasy? I don’t know. But now, at a time in history when we spend so much of our waking life being entertained by stories, I wonder that even more.
Is The Magicians a critique of or an homage to our collective need ...
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