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Summary | Excerpt | Reviews | Read-Alikes | Genres & Themes | Author Bio
Combines a science of the future -- the emerging field of quantum technology -- with the complex realities of the medieval past. In a heart-stopping narrative.
Michael Crichton's new novel opens on the threshold of the twenty-first century. It is a world of exploding advances on the frontiers of technology. Information moves instantly between two points, without wires or networks. Computers are built from single molecules. Any moment of the past can be actualized -- and a group of historians can enter, literally, life in fourteenth-century feudal France.
Imagine the risks of such a journey.
Not since Jurassic Park has Michael Crichton given us such a magnificent adventure. Here, he combines a science of the future -- the emerging field of quantum technology -- with the complex realities of the medieval past. In a heart-stopping narrative, Timeline carries us into a realm of unexpected suspense and danger, overturning our most basic ideas of what is possible.
Excerpt
Timeline
They had arranged to have dinner in the old town square of Domme, a village on top of a cliff a few miles from their site. By nightfall, Chris, grumpy all day, had recovered from his bad mood and was looking forward to dinner. He wondered if Marek had heard from the Professor, and if not, what they were going to do about it. He had a sense of expectancy.
His good mood vanished when he arrived to find the stockbroker couples again, sitting at their table. Apparently they'd been invited for a second night. Chris was about to turn around and leave, but Kate got up and quickly put her arm around his waist, and steered him toward the table.
"I'd rather not," he said in a low voice. "I can't stand these people." But then she gave him a little hug, and eased him into a chair. He saw that the stockbrokers must be buying the wine tonight -- Château Lafite-Rothschild '95, easily two thousand francs a bottle.
And he thought, What the hell.
"Well, this is a ...
Publishers Weekly
From the startling opening [of the novel] there's not a dull moment...it engages as no Crichton tale has done since Jurassic Park, as it brings the past back to vigorous, entertaining life.
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There is no science without fancy and no art without fact
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