David Almond explains his impetus for writing My Dad's a Birdman; and the truth behind the fiction of his 2015 novel, The Tightrope Walkers
Dear Reader
The Tightrope Walkers has lots
of connections with my own life. I lived in a house rather like Dom's when I was a boy. My own father fought in Burma
during World War II, just like Dom's. Miss Fagan, Dom's first teacher, is based on my own first teacher. I remember her kindness, and the beautiful way she shaped letters and words with chalk on the blackboard.
I knew many people who worked in the shipyards that lined the banks of the river Tyne in the '60s and '70s. I worked in a shipyard myself for a couple of summers when I was a student. I
cleaned tanks, just like Dom, and it was one of the most terrifying experiences of my life. We had a tramp in our town, rather like Jack Law, and he was a romantic figure to me, living his life of nonmaterialistic freedom in the hills above town. The bookshop, Ultima Thule, was a real place, and Ginsberg and Ferlinghetti really did visit and read. And I partied on the beautiful Northumbrian beaches, and listened to Joni Mitchell, and grew my hair, and dreamed of California and love and peace.
The book is fiction, of course: a merging of
memory and imagination, truth and lies. I never
knew a boy quite like Vincent McAlinden, but he
does have similarities to some real people, and
of course to elements of my growing self. I never
knew a Holly Stroud, but again, she has elements
of girls that I admired and maybe loved.
The book was often very difficult to write.
Sometimes the words came fast and true. At
other times, making the book was like making
a ship, putting it together rivet by rivet, weld by
weld. As I wrote, I entered the world of the '60s
and '70s, and felt the harshness of the shipyard
world, its toughness and strange beauty. I felt
the joy of partying by the cold North Sea with
people I loved. At times I felt like a teenager
again, yearning for life and freedom, learning
about myself, about books, about language, about
the weird connections between hate and love,
violence and peace. I grew close to my characters.
They felt very real to me. I feel that their lives
continue somewhere, now that the book is done,
and I wish them well.
A letter to readers from David Almond, about My Dad's a Birdman
Dear Reader,
Most of my work has been for older children, but one of the joys of being a
children's writer is the variety of possible forms: long novels, short novels,
chapter books, picture books, poetry, plays... The children's book world is a
place of great creativity and experimentation, and I like to keep moving
forward, to take up new challenges.
My Dad's a Birdman began life as a play commissioned by the Young Vic
Theatre, in London. I started doodling and scribbling, and images of wings and
flying were everywhere on the page. Jackie Crow appeared, strapping homemade
wings to his back, and his daughter, Lizzie, and dumpy Auntie Doreen with her
dumplings, and Mr. Mint and Mr. Poop, and pretty soon there was a Great Human
Bird Competition going on, and the script was leaping and flying into life. I
loved writing for a younger audience, loved the process of collaborating with a
director, a designer, a company of actors.
After, I put the script in a drawer, but the story stayed with me, and soon I
found myself scribbling again: An ordinary spring morning at 12 Lark
Lane... Within four days, I had the first draft. It helped to imagine my
eight-year-old daughter, Freya, as reader, and to begin to think of it as an
illustrated book. The right artist would bring her or his own vision to the
story, just as my collaborators in the theatre had done before. But which
artist? "Polly Dunbar!" the publisher said, and since I already knew Polly's
wonderful work, I crossed my fingers. Now I can no longer imagine my story
without it.
There is some darkness in My Dad's a Birdman, of course, but I think I
found a way to make the story joyous, optimistic, life-affirming.
I'm proud of it, and when I look at it, with Polly's lovely leaping
illustrations, it makes me feel very happy.
I do hope you enjoy it.
All best wishes,
David
Unless otherwise stated, this interview was conducted at the time the book was first published, and is reproduced with permission of the publisher. This interview may not be reproduced or reprinted without permission in writing from the copyright holder.
He has only half learned the art of reading who has not added to it the more refined art of skipping and skimming
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