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Considered by many to be the iconic French memoirist's defining work and a breakout bestseller when published in France in 2008.
The Years is a personal narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present—even projections into the future—photos, books, songs, radio, television and decades of advertising, headlines, contrasted with intimate conflicts and writing notes from 6 decades of diaries.
Local dialect, words of the times, slogans, brands and names for the ever-proliferating objects, are given voice here. The voice we recognize as the author's continually dissolves and re-emerges. Ernaux makes the passage of time palpable. Time itself, inexorable, narrates its own course, consigning all other narrators to anonymity. A new kind of autobiography emerges, at once subjective and impersonal, private and collective.
On its 2008 publication in France, The Years came as a surprise. Though Ernaux had for years been hailed as a beloved, bestselling and award-winning author, The Years was in many ways a departure: both an intimate memoir "written" by entire generations, and a story of generations telling a very personal story. Like the generation before hers, the narrator eschews the "I" for the "we" (or "they", or "one") as if collective life were inextricably intertwined with a private life that in her parents' generation ceased to exist. She writes of her parents' generation (and could be writing of her own book): "From a common fund of hunger and fear, everything was told in the 'we' and impersonal pronouns."
"Spanning decades, this is an outlier in Ernaux's oeuvre; unlike her other books, with their tight close-ups on moments in her life, here such intimacies are embedded in the larger sweep of social history. She moves between the chorus of conventional wisdom and the specifics of her own experiences, showing how even an artist with such a singular vision could recognize herself as a creature of her cohort and her culture. Most moving to me is how she begins and ends by listing images she can still recall — a merry-go-round in the park; graffiti in a restroom — that have been inscribed into her memory, yet are ultimately ephemeral." —New York Times, 100 Best Books of the 21st Century
"The Years is an earnest, fearless book, a Remembrance of Things Past for our age of media domination and consumerism, for our period of absolute commodity fetishism." —New York Times Book Review
"Annie Ernaux is ruthless. I mean that as a compliment. Perhaps no other memoirist – if, in fact, memoir-writing is what Ernaux is up to, which both is and isn't the case – is so willing to interrogate not only the details of her life but also the slippery question of identity. ... Think of The Years ... as memoir in the shape of intervention: 'all the things she has buried as shameful and which are now worthy of retrieval, unfolding, in the light of intelligence.'" —Los Angeles Times
"The process of reading The Years is similar to a treasure box discovery. ... It is the kind of book you close after reading a few pages, carried away by the bittersweet taste it leaves in your mind. ... Ernaux transforms her life into history and her memories into the collective memory of a generation." — Los Angeles Review of Books
"Annie Ernaux's The Years, translated by Alison L. Strayer, is ostensibly the author's autobiography, but if a book can be both sinuous and fragmentary, this one is, circling around the truth, presenting a collage of images, episodes, memories and flights of imagination. The narrative voice moves between the first person plural and the third person. It's just a glorious novel – think JM Coetzee meets Joan Didion." —The Guardian (UK)
"[A] memoir that is humble and generous, an homage to the great French writers and thinkers of the previous century." —Bookforum
"The author of one of the most important oeuvres in French literature, Annie Ernaux's work is as powerful as it is devastating, as subtle as it is seething." —Edouard Louis, author of The End of Eddy
"One of the few indisputably great books of contemporary literature." —Emmanuel Carrère, author of The Kingdom
"Attentive, communal and genuinely new, Annie Ernaux's The Years is an astonishing achievement." —Olivia Laing, author of Crudo
This information about The Years was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Born in 1940, Annie Ernaux grew up in Normandy, studied at Rouen University, and later taught high school. From 1977 to 2000, she was a professor at the Centre National d'Enseignement par Correspondance. Her books, in particular A Man's Place and A Woman's Story, have become contemporary classics in France. Ernaux won the prestigious Prix Renaudot for A Man's Place when it was first published in French in 1984, and the English edition became a New York Times Notable Book. Other New York Times Notable Books include Simple Passion and A Woman's Story, which was also a Los Angeles Times Book Prize Finalist.
Ernaux's The Years received the Françoise-Mauriac Prize of the French Academy, the Marguerite Duras Prize, the Strega European Prize, the French Language Prize, and the Télégramme Readers Prize. The English edition, translated by Alison L. Strayer, won the 31st Annual French-American Translation Prize for non-fiction and the Warwick Prize for Women in Translation and was shortlisted for the 2019 Man Booker International Prize.
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