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A powerful, timely debut, The Turner House marks a major new contribution to the story of the American family.
The Turners have lived on Yarrow Street for over fifty years. Their house has seen thirteen children grown and gone - and some returned; it has seen the arrival of grandchildren, the fall of Detroit's East Side, and the loss of a father. The house still stands despite abandoned lots, an embattled city, and the inevitable shift outward to the suburbs. But now, as ailing matriarch Viola finds herself forced to leave her home and move in with her eldest son, the family discovers that the house is worth just a tenth of its mortgage. The Turner children are called home to decide its fate and to reckon with how each of their pasts haunts - and shapes - their family's future.
Already praised by Ayana Mathis as "utterly moving" and "un-putdownable," The Turner House brings us a colorful, complicated brood full of love and pride, sacrifice and unlikely inheritances. It's a striking examination of the price we pay for our dreams and futures, and the ways in which our families bring us home.
Trouble in the Big Room
The eldest six of Francis and Viola Turner's thirteen children claimed that the big room of the house on Yarrow Street was haunted for at least one night. A ghost? a haint, if you will??tried to pull Cha-Cha out of the big room's second-story window.
The big room was not, in actuality, very big. Could hardly be considered a room. For some other family it might have made a decent storage closet, or a mother's cramped sewing room. For the Turners it became the only single-occupancy bedroom in their overcrowded house. A rare and coveted space.
In the summer of 1958, Cha-Cha, the eldest child at fourteen years, was in the throes of a gangly-legged, croaky-voiced adolescence. Smelling himself, Viola called it. Tired of sharing a bed with younger brothers who peed and kicked and drooled and blanket-hogged, Cha-Cha woke up one evening, untangled himself from his brothers' errant limbs, and stumbled into the whatnot closet across the hall....
The Turner House opens in spring 2008, a time characterized by simultaneous despair and hope for Detroit's African-American community. On the one hand, the city was in the throes of financial crisis – unemployment was high and property prices had crashed to all-time lows. The novel uses African-American dialect and imagery to good effect. For instance, Viola says, "You know Cha-Cha's gone do what he wanna do. Ain't no democracy in this family." Her speech sounds authentic but doesn't tip over into the realms of caricature. The Detroit city motto would make a good one for the Turners, too. They have been through so much – addictions, losses, betrayals – but still, "We hope for better things."..continued
Full Review (783 words)
(Reviewed by Rebecca Foster).
In 2013, the city of Detroit declared bankruptcy. The decline of the automotive industry, the growth of the suburbs, unemployment, poverty, and high crime rate are all cited as factors in the city's decline. From a peak population of 1.85 million in 1950, the city shrank to around 700,000; it steadily leaked people to the Michigan suburbs or other parts of the country, especially after the 1967 riots. That amounts to a 60% drop in population. In 2013 the U.S. Department of Labor Bureau of Labor Statistics named Detroit's as the highest unemployment rate (23.1%) among the country's 50 largest cities.
Over the period from 2007 to 2013, Detroit's property market crashed. One in five houses lay empty. Why? In many cases, residents found ...
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