Why Men Fight and Why We Like to Watch
by Jonathan Gottschall
When a mixed martial arts (MMA) gym moves in across the street from his office, Jonathan Gottschall sees a challenge, and an opportunity. Pushing forty, out of shape, and disenchanted with his job as an adjunct English professor, part of him yearns to cross the street and join up. The other part is terrified. Gottschall eventually works up his nerve, and starts training for a real cage fight. He's fighting not only as a personal test but also to answer questions that have intrigued him for years: Why do men fight? And why do so many seemingly decent people like to watch?
In The Professor in the Cage, Gottschall's unlikely journey from the college classroom to the fighting cage drives an important new investigation into the science and history of violence. Mixed martial arts is a full-contact hybrid sport in which fighters punch, choke, and kick each other into submission. MMA requires intense strength, endurance, and skill; the fights are bloody, brutal, and dangerous. Yet throughout the last decade, cage fighting has evolved from a small-time fringe spectacle banned in many states to the fastest-growing spectator sport in America.
But the surging popularity of MMA, far from being new, is just one more example of our species' insatiable interest not just in violence but in the rituals that keep violence contained. From duels to football to the roughhousing of children, humans are masters of what Gottschall calls the monkey dance: a dizzying variety of rule-bound contests that establish hierarchies while minimizing risk and social disorder. In short, Gottschall entered the cage to learn about the violence in men, but learned instead how men keep violence in check.
Gottschall endures extremes of pain, occasional humiliation, and the incredulity of his wife to take us into the heart of fighting culture - culminating, after almost two years of grueling training, in his own cage fight. Gottschall's unsparing personal journey crystallizes in his epiphany, and ours, that taming male violence through ritualized combat has been a hidden key to the success of the human race. Without the restraining codes of the monkey dance, the world would be a much more chaotic and dangerous place.
"Starred Review. With humor, literary allusions, and a casual, unprepossessing style, Gottschall explores such related subjects as duels, bullying, English football, men's "love-hate" relationship to war, and violent entertainment from gladiator games to MMA" - Publishers Weekly
"A personal history of violence that makes Norman Mailer look nuanced by comparison." - Kirkus
"This title will primarily engage readers of popular sociology titles. While fans of MMA and academic readers may find interest in some aspects of this work, the appeal for these readers will be limited, as Gottschall only scratches the surface of both the MMA world and the science behind male aggression." - Library Journal
"What a charming and illuminating book! With scientific acumen and literary panache, Gottschall immerses himself, and us, in an ancient part of the male psyche." - Steven Pinker, Johnstone Professor of Psychology, Harvard University; and author of How the Mind Works and The Better Angels of Our Nature
"Jonathan Gottschall has written a wonderfully honest, entertaining, and insightful book about violence, manhood, courage, and the wisdom that can be gleaned from getting punched in the face." - Sam Harris, author of the New York Times bestsellers The End of Faith, The Moral Landscape, and Waking Up
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Jonathan Gottschall is a Distinguished Research Fellow in the English Department at Washington & Jefferson College. His research has been covered in The New York Times Magazine, The New York Times, Scientific American, The New Yorker, The Atlantic, The Chronicle of Higher Education, and on NPR. His blog, The Storytelling Animal, is featured at Psychology Today. His book, The Storytelling Animal, was a New York Times Editor's Choice Selection and a finalist for the Los Angeles Times Book Prize.
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