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With empathy, grace, humor, and piercing insight, the author of gods in Alabama pens a powerful, emotionally resonant novel of the South that confronts the truth about privilege, family, and the distinctions between perception and reality - the stories we tell ourselves about our origins and who we really are.
Superheroes have always been Leia Birch Briggs' weakness. One tequila-soaked night at a comics convention, the usually level-headed graphic novelist is swept off her barstool by a handsome and anonymous Batman.
It turns out the caped crusader has left her with more than just a nice, fuzzy memory. She's having a baby boy - an unexpected but not unhappy development in the thirty-eight year-old's life. But before Leia can break the news of her impending single-motherhood (including the fact that her baby is biracial) to her conventional, Southern family, her step-sister Rachel's marriage implodes. Worse, she learns her beloved ninety-year-old grandmother, Birchie, is losing her mind, and she's been hiding her dementia with the help of Wattie, her best friend since girlhood.
Leia returns to Alabama to put her grandmother's affairs in order, clean out the big Victorian that has been in the Birch family for generations, and tell her family that she's pregnant. Yet just when Leia thinks she's got it all under control, she learns that illness is not the only thing Birchie's been hiding. Tucked in the attic is a dangerous secret with roots that reach all the way back to the Civil War. Its exposure threatens the family's freedom and future, and it will change everything about how Leia sees herself and her sister, her son and his missing father, and the world she thinks she knows.
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MY SON, DIGBY, began at exactly 3:02 in the morning on the first Friday in June. I don't mean his conception or his birth. I mean the moment he began for me, which happened between those two larger events. It was a start so small I almost didn't notice. I was very, very busy panicking about my job.
I'd finished penciling and inking a limited series for DC Comics, the last contract standing between me and the prequel to my own graphic novel, Violence in Violet. Every word and every line of Violence in Violet had been written and penciled and lettered and inked and colored by me. I was proud as hell of it, but I hadn't continued it as a series. I couldn't. V in V ended in a full apocalypse. Literally nothing could happen next in Violence's world, because there was no next. Everything was over, and it stayed over until Dark Horse Comics came to me with the offer for a prequel. They wanted Violence's origin story.
Every superbeing has one. Peter ...
I think this would be a great book for book clubs because there are so many important issues ranging from dementia, to marital problems, to unplanned pregnancies. Highly recommend! (Deborah C) A great book club book – so much to discuss (Sharon R). Will recommend to anyone who likes a little mystery and light-hearted plot (Tawana J-S). With thanks to BookBrowse for the chance to read and review The Almost Sisters. I was happy to discover its engaging characters and its deeper conversation about racial prejudice and issues of privilege. Our country has made enormous strides but the racial divide still simmers. Adding the religious prejudices and the roiling immigration issues, and it is clear that a lot of discussion still needs to be faced. You will root for Leia and the future of her unborn child. Book clubs will find a lot to discuss and enjoy (Esther L)...continued
Full Review
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(Reviewed by First Impressions Reviewers).
Leia Birch, the central character in Joshilyn Jackson's The Almost Sisters, is the writer of a comic books series published by DC Comics. While the characters and the comic are both fictional, in real-life, as is in the book, female writers are in the minority. The comic book world is chock full of men - they are both characters in the pages and the writers and illustrators creating those pages - but women have made significant contributions to the genre. From the early 20th century, when comics were just entering the newspaper scene and Nell Brinkley became famous for her well-loved illustrations to Becky Cloonan, who was the first woman to draw Batman for DC Comics in 2012, women have written and drawn comics for newspapers, mainstream ...
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