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Book Summary and Reviews of Woman No. 17 by Edan Lepucki

Woman No. 17 by Edan Lepucki

Woman No. 17

A Novel

by Edan Lepucki

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  • Published:
  • May 2017, 320 pages
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About this book

Book Summary

A sinister, sexy noir about art, motherhood, and the intensity of female friendships, set in the posh hills above Los Angeles, from the New York Times bestselling author of California

High in the Hollywood Hills, writer Lady Daniels has decided to take a break from her husband. Left alone with her children, she's going to need a hand taking care of her young son if she's ever going to finish her memoir. In response to a Craigslist ad, S arrives, a magnetic young artist who will live in the secluded guest house out back, care for Lady's toddler, Devin, and keep a watchful eye on her older, teenage son, Seth. S performs her day job beautifully, quickly drawing the entire family into her orbit, and becoming a confidante for Lady.

But in the heat of the summer, S's connection to Lady's older son takes a disturbing, and possibly destructive, turn. And as Lady and S move closer to one another, the glossy veneer of Lady's privileged life begins to crack, threatening to expose old secrets that she has been keeping from her family. Meanwhile, S is protecting secrets of her own, about her real motivation for taking the job. S and Lady are both playing a careful game, and every move they make endangers the things they hold most dear.
 
Darkly comic, twisty and tense, this mesmerizing new novel defies expectation and proves Edan Lepucki to be one of the most talented and exciting voices of her generation.

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Reviews

Media Reviews

"Always enjoyable if not always believable, this novel succeeds by staying light on its feet. Or, as one character puts it, 'Please don't monetize my bunny.'" - Kirkus

"Lepucki's (California) brisk style and arresting characterizations make for a compelling portrait of womanhood in the present moment, right down to its intriguing integration of social media." - Publishers Weekly

"Woman No. 17 is a brilliant follow-up to California and a twisty, emotionally complicated noir about art, motherhood and mysteries without any easy answers." - Shelf Awareness

"In Woman No. 17, Lepucki has crafted an intricate, gripping story of people behaving very badly. You will want to race to the end to see what happens, but don't cheat yourself. This book deserves to be savored –gorgeously written, darkly comic, smart and thrilling." - Cynthia D'Aprix Sweeney, New York Times bestselling author of The Nest

"Woman No. 17 fizzes with references to contemporary culture and sparks with larger, timeless questions: Where is the line between performance and identity? What separates life from art? And can we ever escape the gravitational pull of our parents? Edan Lepucki shows herself to be a sharp-eyed chronicler of our modern world." - Celeste Ng, New York Times bestselling author of Everything I Never Told You

"Woman No. 17 is a provocative and timely meditation on art, authenticity and representation in a digital age. The increasingly gripping plot suggests the outcomes of a thriller, but at the crucial moment the novel swerves toward subtly profound truths about our capacity for self-sabotage and self-reinvention, the power of trauma to shape lives, and the inexorable gravity of family secrets. Lepucki's smooth prose and deft handling of point of view reveal a writer fully in command." - Matthew Thomas, New York Times bestselling author of We Are Not Ourselves

"Taut as a thriller (with plenty of sex and secrets), Woman No. 17 raises big questions about identity, art, ethics, parenthood, and more. In Edan Lepucki's hands, the philosophical is transformed into a page turner; I don't know how she does it." - Rumaan Alam, author of Rich & Pretty

This information about Woman No. 17 was first featured in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.

Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.

Reader Reviews

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Sharon Mills

A contemporary dramedy, razor sharp dialogue with a dark undertone
Set high in the Hollywood Hills, LA, Woman No. 17 is a contemporary 'dramedy' with a razor sharp, edgy dialogue and a dark creepy undertone, an undertone in my opinion that didn't really surface. There are some real comedic moments where I laughed out loud, one of my favourite involving the shit-faced nanny and the pooch. Shamelessly, I loved it.

Pearl 'Lady' Daniels, the mother of two boys, one a lively toddler, Devin, and his half brother, 18 year old Seth, has been commissioned to write a book. A book about motherhood and caring for children with special needs. A book which she has no true impetus to write. She hires a nanny to enable her to concentrate on writing without the distraction of family interruptions or routines. This solution in itself brings its own distractions. Lady is a complex woman with a simmering mass of emotion and hidden depths to her personality that will gradually bubble over during the course of the story.

Esther Shapiro has a very strong dual personality, hers and that of her alter persona of 'S' Fowler which lends an underlying creepiness into the mix. Esther a 21 year old college graduate is committed to her latest piece of conceptual art, 'The Katherine May Project' where she will devote every waking moment to impersonating her mother as a young girl. There's nothing she won't do to succeed in the project. Esther, transformed into the unshaven, plain faced, drably dressed, renamed 'S' Fowler is taken on as the Daniels' live-in nanny.

Seth's character is somewhat unique and impressive. As a mute, self imposed or not really doesn't necessitate too much contemplation, Edan has given depth and perception to a character that could so easily have fallen into the background, or have been one-dimensional at best. He uses his iPad, Twitter feed and sign language, including secret signings for Lady, to communicate and interact in a believable fashion.

Early on its pretty obvious that a relationship is inevitable between the nanny and Seth. It is a relationship that will have a troubling, powerful impact on all three of them.

During the course of alternating perspectives and back stories, a fuller understanding of how the complexities of the family dynamic, significantly that of the mother-daughter relationships, have shaped the women into who they have ultimately become. Sometimes full of selfish tendencies as with Lady not wanting to share Seth with anyone for fear of losing him, and dismissing Devlin's needs in order to fulfill her own; and Esther with her utter disregard for those caught up in her performance art, as she causes upset and mayhem, crossing boundaries, and taking advantage of everyone to the point of exploitation, all for the cause of her art.

I really enjoyed Edan Lepucki's second novel and think it perfect for fans of art literature or anyone wanting to read something 'off-centre' about art and dysfunctional relationships.

Highly recommended.

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Author Information

Edan Lepucki Author Biography

Photo: Bader Howar

Edan Lepucki is the New York Times bestselling author of the novels California and Woman No. 17, as well as the editor of Mothers Before: Stories and Portraits of our Mothers As We Never Saw Them. Her nonfiction has been published in the New York Times Magazine, the Los Angeles Times, Esquire Magazine, and The Cut, among other publications. She lives in Los Angeles with her family.

Author Interview
Link to Edan Lepucki's Website

Name Pronunciation
Edan Lepucki: EE-dehn luh-PUCK-ee

Other books by Edan Lepucki at BookBrowse
  • Time's Mouth jacket
  • California jacket
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