It is May of 1272, and Prioress Eleanor, recovering from a near-fatal winter fever, returns to Amesbury Priory to visit her aunt in time for the Feast of Saint Melor. Although Eleanor hopes to regain her strength in the midst of pleasant childhood memories, Death reveals a most troublesome fondness for her company, thwarting her desire for peace.
"Starred Review. The author subtly treats the erotic charge surrounding Eleanor and Thomas while shedding light on 13th-century understandings of sexuality. Royal draws together the murder, the manuscript and the ghost in an unexpected conclusion." - Publishers Weekly.
"Royal's continuing saga of historical sleuths Eleanor and Thomas and their struggle to contain their inappropriate lust is a rousing tale." - Kirkus.
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Priscilla Royal has a degree in World Literature from San Francisco State University, where she discovered the beauty of medieval literature. She is a theater fan as well as reader of history, mysteries, and fiction of lesser violence.
Priscilla grew up in British Columbia and until 2000, she worked for the Federal government in a variety of positions, all of which provided a wonderful education in the complexity of human experience and motivation.
Her works include Chambers of Death, Covenant with Hell, Favas Can Be Fatal, The Killing Season, Sanctity of Hate, Tyrant Of The Mind, Valley of Dry Bones and Wine of Violence.
When not hiding in the thirteenth century, she lives in Northern California and is a member of California Writers Club, Mystery Writers of America, and Sisters in Crime.
Music is the pleasure the human mind experiences from counting without being aware that it is counting
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