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A Novel
by Geetanjali Shree
A playful, feminist, and utterly original epic set in contemporary northern India, about a family and the inimitable octogenarian matriarch at its heart.
"A tale tells itself. It can be complete, but also incomplete, the way all tales are. This particular tale has a border and women who come and go as they please. Once you've got women and a border, a story can write itself ..."
Eighty-year-old Ma slips into a deep depression after the death of her husband. Despite her family's cajoling, she refuses to leave her bed. Her responsible eldest son, Bade, and dutiful, Reebok-sporting daughter-in-law, Bahu, attend to Ma's every need, while her favorite grandson, the cheerful and gregarious Sid, tries to lift her spirits with his guitar. But it is only after Sid's younger brother—Serious Son, a young man pathologically incapable of laughing—brings his grandmother a sparkling golden cane covered with butterflies that things begin to change.
With a new lease on life thanks to the cane's seemingly magical powers, Ma gets out of bed and embarks on a series of adventures that baffle even her unconventional feminist daughter, Beti. She ditches her cumbersome saris, develops a close friendship with a hijra, and sets off on a fateful journey that will turn the family's understanding of themselves upside down.
Rich with fantastical elements, folklore, and exuberant wordplay, Geetanjali Shree's magnificent novel explores timely and timeless topics, including Buddhism, global warming, feminism, Partition, gender binary, transcending borders, and the profound joys of life. Elegant, heartbreaking, and funny, it is a literary masterpiece that marks the American debut of an extraordinary writer.
Booker Prize, 2022
"Shree combines linguistic energy with unflagging wit to uncover the secrets and lies of Indian family life ... [with] a marvelous ear... . Shree has no doubt drawn on the many writer she invokes directly in Tomb of Sand, but the novel I was most reminded of is an English-language one: Salman Rushdie's Midnight's Children." —New York Review of Books
"Shree is an excellent observer of women's inner lives... . This book, this Booker, has come at last, and for me it has come as a breath of fresh air." —The Guardian
"The gorgeous writing is fluid and poetic, yet it is also plain and arresting with its direct second-person narration. Rockwell's translation retains wit and rich flavor... . Readers of international literature, award-list titles, and literary fiction will cherish Shree's written intricacies of interior worlds as well as her detailed settings that evoke a strong sense of place." —Booklist
"Tomb of Sand is in part the story of an elderly woman who arises from her bed to make a journey across frontiers, into a damaged past, but it is also a patchwork of voices and unforgettable characters, chattering among themselves, elbowing one another off the page. Heart-wrenching but brimming with life ... A lasting joy." —The Financial Times
"Playful, magical and magnetic, this monumental novel speaks to themes of love, grief, family ties, feminism, borders, spirituality, climate change and more." —Ms. magazine
"Quickly pulls you in and doesn't let go ... A fantastical tale of rediscovery and delight in life." —Apartment Therapy
"A novel of enormous intelligence." —The Daily Telegraph
"An engrossing fable ... Shree scrupulously examines the demarcation between life and death, mother and daughter, past and present, and how grief and memory, when harnessed, have the power to cultivate long lost connections. The narrator's witty observations and lengthy humorous asides add to the breadth and depth of this rich novel... . For the reader who wades in Shree's luminous prose, the book's threads braid into a single, vivid tapestry." —Minneapolis Star Tribune
"Echoes of James Joyce, Jorge Luis Borges, Isabel Allende and Leo Tolstoy ... An enchanting ride." —BookPage
"An homage to the vibrancy of Hindi ... [that] takes a page from Salman Rushdie's playbook with its adept use of magic realism ... [Shree is] unabashedly paving her own path through the sandstorm of writers pining for Western acclaim." —Washington Post
"An extraordinarily exuberant and incredibly playful book... . It manages to take issues of great seriousness—bereavement, loss, death—and conjure up an extraordinary choir, almost a cacophony, of voices... . It is extraordinarily fun and it is extraordinarily funny." —Frank Wynne, chair of the International Booker committee
This information about Tomb of Sand was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Geetanjali Shree (Ghee-TAHN-juh-lee Shree) is the author of five novels, including Tomb of Sand, for which she was awarded the 2022 International Book Prize, and several story collections. Her work has been translated into English, French, German, Serbian and Korean and has received numerous accolades. She lives in New Delhi.
Daisy Rockwell is a painter, writer and translator living in Vermont. She has translated a number of classic works of Hindi and Urdu literature, including Upendranath Ashk's Falling Walls, Bhisham Sahni's Tamas, and Khadija Mastur's The Women's Courtyard. Her 2019 translation of Krishna Sobti's A Gujarat Here, a Gujarat There was awarded the Modern Language Association's Aldo and Jeanne Scaglione Translation Prize.
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