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Percival Everett's blistering satire about race and publishing, now adapted for the screen as American Fiction, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross.
Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.
In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.
"More genuine and tender than much of Everett's previous work, but no less impressive intellectually: a high point in an already substantial literary career." ―Kirkus Reviews
"An over-the-top masterpiece... . Percival's talent is multifaceted, sparked by a satiric brilliance that could place him alongside Wright and Ellison as he skewers the conventions of racial and political correctness." ―Publishers Weekly
"A scathingly funny look at racism and the book business: editors, publishers, readers, and writers alike." ―Booklist
"The sharp satire on American publishers and American readers that Everett puts forward is delicious, though it won't win him many friends among the sentimental educated class who want to read something serious about black inner-city life without disturbing any of their stereotypes." ―Chicago Tribune
"Erasure is as watertight and hilarious a satire as, say, [Evelyn Waugh's] Scoop ... [Everett] is a first-rate word wrangler." ―Nicholas Lezard, The Guardian
"With equal measures of sympathy and satire, [Erasure] craftily addresses the highly charged issue of being 'black enough' in America." ―Jenifer Berman, The New York Times Book Review
This information about Erasure was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Photo: Michael Avedon
Percival Everett is a Distinguished Professor of English at USC. His most recent books include Dr. No (finalist for the NBCC Award for Fiction and winner of the PEN/ Jean Stein Book Award), The Trees (finalist for the Booker Prize and the PEN/Faulkner Award for Fiction), Telephone (finalist for the Pulitzer Prize), So Much Blue, Erasure, and I Am Not Sidney Poitier. He has received the NBCC Ivan Sandrof Life Achievement Award and The Windham Campbell Prize from Yale University. American Fiction, the feature film based on his novel Erasure, was released in 2023 and was awarded the Academy Award for Best Adapted Screenplay. He lives in Los Angeles with his wife, the writer Danzy Senna, and their children
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In this whimsical mystery, a grumpy pony must clear his beloved human's name from a murder accusation.
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