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by Mia S. Willis
A poetic ethnography that creates and documents the vocabulary of the Southern Black queer experience, chosen as a National Poetry Series winner by Morgan Parker.
These piercing, surprising poems look to familial history, rituals of faith, and the natural world to explore how the intersecting cultures of Blackness and queerness relate to each other. As the collection evolves, the reader is challenged and empowered to seek expansiveness in spaces that have not previously been excavated, reckon with the complexities of interpersonal relationships, and explore memory as a catalyst for self-determination. Mia S. Willis weaves together intergenerational knowledge and personal discovery—not only to define themselves but to articulate a communal identity that transcends language.
"'the space between men' is some space within everyday and literary language for queer communities of Black bois and femmes. It's a space Willis helps build with their spilling-over toolkit of poetic forms, including newly canonical African American forms like the kwansaba, the bop, and the eintou. And it's a space Willis studies with a researcher's remove and a linguist's ear for sound and situation." —Lit Hub
"Boy and boi, Mia S. Willis reminds, are homophones. The same sound points toward both a present history of collective degradation and a present future of collective creativity. You can only tell the difference by the context of their utterance: who speaks, who is spoken, and under what conditions. Among other things, Willis's remarkable debut sets out to architect a usable grammar of black boihood, a sharable system of image/shape/sound in which the black boi might be knowable, but not too knowable—expressed, but never overdetermined. And, central to this project is the poet's careful, loving attention to the pluripotency of language, the revisability of form, the 'divinity in the becoming.' This book is an offering for us who long to 'exist unordered ... the spark of potential between the flints.'" —Cameron Awkward-Rich, author of Dispatch
"Mia S. Willis' powerful first collection, the space between men, represents a singular achievement in form and movement. This poetry is honest, vulnerable, and bare not to inform, expose, or exploit, but to liberate, embrace, and release. This release is a gift to us all—an opening toward a yet larger embrace. In holding these poems, we hold ourselves true." —Samiya Bashir, author of Field Theories
"In this profound and evocative collection, Mia S. Willis commands each line with a dazzling attention to language—its failures and its gaps, its lyric potential and holy plainspokenness, its politics and cultural specificities—illuminating the spaces between and within all of us. Ranging from imagistic to cerebral, humorous to heartbreaking, these poems trace a journey to self-understanding and self-permission, exploring the inner and outer battles toward building a self—specifically, a Black, queer self—and learning to 'not be afraid to birth yourself beautiful.' Willis' poetic voice is brimming with personality and curiosity, as musical as it is philosophical, and the space between men is a formidable debut." —Morgan Parker, author of Magical Negro and There Are More Beautiful Things than Beyoncé
This information about the space between men was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Mia S. Willis (they/them) is a poet, popular educator, and cultural historian from Charlotte, North Carolina. Their work, twice nominated for the Pushcart Prize, has been featured by The Slowdown, The Shade Journal, Palette Poetry, The Offing, the minnesota review, homology lit., NarrativeNortheast, and others. Willis has earned fellowships from Cave Canem, La Maison Baldwin, The Watering Hole, Lambda Literary, and Chashama's ChaNorth. A two-time Best of the Net nominee, they are the author of monster house (Jai-Alai Books, 2019), the 2018 winner of Cave Canem's Toi Derricotte & Cornelius Eady Chapbook Prize.
Happy Land
by Dolen Perkins-Valdez
From the New York Times bestselling author, a novel about a family's secret ties to a vanished American Kingdom.
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