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The Case for Imaginative Reuse in Architecture
by Aaron Betsky
In a time of climate crisis and housing shortages, a bold, visionary call to replace current wasteful construction practices with an architecture of reuse.
As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well.
Architectural reuse is as old as civilization itself. In the streets of Europe, you can find fragments from the Roman Empire. More recently, marginalized communities from New York to Detroit—queer people looking for places to gather or cruise, punks looking to make loud music, artists and displaced people looking for space to work and live—have taken over industrial spaces created then abandoned by capitalism, forging a unique style in the process. Their methods—from urban mining to dumpster diving—now inform architects transforming old structures today.
Betsky shows us contemporary imaginative reuse throughout the world: the Mexican housing authority transforming concrete slums into well-serviced apartments; the MassMOCA museum, built out of old textile mills; the squatted city of Christiana in Copenhagen, fashioned from an old army base; Project Heidelberg in Detroit. All point towards a new circular economy of reuse, built from the ashes of the capitalist economy of consumption.
"Nothing is as ecologically sound as reusing the things we've already built—and as this book makes clear, nothing is as beautiful either!" —Bill McKibben, author of Deep Economy: The Wealth of Communities and the Durable Future
"In Don't Build, Rebuild, architect and critic Aaron Betsky offers an essential alternative to the wasteful paradigm of conventional construction. Drawing on his wealth of personal experience with innovative projects around the world, Betsky presents a vision grounded in the 'imaginative reuse' of our existing built environment. Through rich historical analysis and inspiring contemporary examples—from repurposed wind turbine blades to transformed swim clubs and train depots—he calls for architects to become urban miners, harvesting the hidden value in our cities' discarded treasures. This thought-provoking and important book is a must-read, urging readers to embrace a more sustainable, circular approach to architecture and design." —Stefan Al, author of Supertall: How the World's Tallest Buildings Are Reshaping Our Cities and Our Lives
"This fantastic book extends beyond the usual parameters of reuse, incorporating powerful insights and tactics from such things as installation art, squatting, and digital simulation. Don't Build, Rebuild is a rousing call for the decommodified and decarbonized built environment that we so desperately need." —Matthew Soules, author of Icebergs, Zombies, and the Ultra Thin: Architecture and Capitalism in the Twenty-First Century
This information about Don't Build, Rebuild was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Aaron Betsky is a critic of art, architecture, and design and the author of over twenty books on those subjects. He writes a twice-weekly blog, Beyond Buildings, for Architect Magazine. Trained as an architect and in the humanities at Yale, Mr. Betsky has served as the Director of the Cincinnati Art Museum and the Netherlands Architecture Institute, as well as Curator of Architecture and Design at the San Francisco Museum of Modern Art.
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Use what talents you possess: The woods would be very silent if no birds sang there except those that sang best
Click Here to find out who said this, as well as discovering other famous literary quotes!
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