A Novel
by Elizabeth Brundage
Hedda Chase is a top-flight executive producer at Gladiator Films, fast-tracked in the business since she graduated from Yale. An aggressive businesswoman, she recently pulled the plug on a film project initiated by one of her predecessors. The screenwriter on the project was Hugh Waters, a wannabe with a dead-end marriage and a day job at an insurance company. This script was his ticket out - until Hedda tampered with his plans, claiming his violence was over the top, his premise not credible, and his ending implausible. Hugh decides to prove otherwise by staging his script's ending and casting Hedda Chase as the victim. He flies to Los Angeles and finds Hedda, kidnaps her, and locks her in the trunk of her vintage BMW in the parking lot at LAX. He leaves the keys in the ignition, the parking ticket on the dash, and lets "destiny" take its course.
This is the set-up for a troubling, smart, deadly look at women and images of women, at media as a high-stakes game and the selling of a war as theater. (One key character is an Iraq veteran, and one of Hedda's projects is a film about women in Iraq). Brundage's Los Angeles is a casual battleground that trades carelessly in lives and dreams.
"Starred Review." - Publishers Weekly
"Brundage excels at pushing her characters to their limits and then reflecting on the consequences of their behavior." - Booklist
"'People are ugly and cruel. They are relentless. They will stop at nothing to get what they want.'" Like The Player, A Stranger Like You tests this hard-boiled lemma against the beautiful, nasty backdrop of Hollywood. Elizabeth Brundage delivers a pithy, ironic L.A. noir full of broken dreams and snappy repartee." - Stewart O'Nan, author of Songs for the Missing
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Elizabeth Brundage is a graduate of the Iowa Writers' Workshop, where she earned an MFA in fiction and a James Michener Award. Before attending Iowa, she was a screenwriting fellow at the American Film Institute in Los Angeles. Her short fiction has been published in Greensboro Review, Witness magazine, and New Letters. She lives with her family in New York State.
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