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The year is 1977 and Reno - so-called because of the place of her birth - has come to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial Soho, are squatting in the East Village, and blurring the line between life and art. Reno falls in with group of dreamers and raconteurs who submit her to a sentimental education of sorts. She begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro's family home in Italy, Reno falls in with members of the radical movement that overtook Italy in 1977. Betrayal sends her reeling into a clandestine undertow.
The Flamethrowers is a fearless novel, an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. In the center of it all is Kushner's brilliantly realized protagonist, a young woman on the verge.
"Starred Review. Kushner's psychological explorations of her characters are incisive, the novel is peppered with subtle '70s details, and it bursts with you-are-there depictions of its time and places." - Publishers Weekly
"Starred Review. Kushner writes well and plunges us deeply into the disparate worlds of the New York City art scene, European political radicalism and the exhilarating rush of motorcycles." - Kirkus
"Kushner is rapidly emerging as a thrilling and prodigious novelist." - Jonathan Franzen, author of Freedom
"Oscillating between the hedonistic New York artworld and Italy in the midst of the Years of Lead, The Flamethrowers is that rare thing, a novel that uses recent history not as a picturesque backdrop, but as a way of interrogating the present. Kushner's urgent prose and psychological acuity make this one of the most compelling and enjoyable novels I've read this year." - Hari Kunzru, author of Gods Without Men
"The controlled intensity and perception in Rachel Kushner's novels mark her as one of the most brilliant writers of the oncoming century. She's going to be one we turn to for our serious pleasures and for the insight and wisdom we'll be needing in hard times to come. Rachel Kushner is a novelist of the very first order. The Flamethrowers follows Telex from Cuba as a masterful work." - Robert Stone
"The Flamethrowers lives up to its incendiary title—it is a brilliant, startling truly revolutionary book about the New York art world of the seventies, Italian class warfare, and youth's blind acceleration into the unknown. Kushner is a genius prose stylist, and her Reno is one of the most fully realized protagonists I've ever encountered, moving fluidly from the fringe of the fringe movement to the center of the action. I want to recommend this stunning book to everyone I know." - Karen Russell, author of Swamplandia!
This information about The Flamethrowers was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Photograph © Chloe Aftel
Rachel Kushner is the author of Creation Lake, her latest novel, The Hard Crowd, her acclaimed essay collection, and the internationally bestselling novels The Mars Room, The Flamethrowers (named a Top 100 Best Book of the 21st Century by The New York Times), and Telex from Cuba, as well as a book of short stories, The Strange Case of Rachel K. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, and was twice a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters. Her books are translated into twenty-seven languages.
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