Stories
by Adam Wilson
Bankers prowl Brooklyn bars on the eve of the stock market crash. A debate over Young Elvis versus Vegas Elvis turns existential. Detoxing junkies use a live lobster to spice up their love life. Students on summer break struggle to escape the orbit of a seemingly utopic communal house.
And in the title story, selected for The Best American Short Stories, two film school buddies working on a doomed project are left sizing up their own talent, hoping to come out on top - but fearing they won't.
In What's Important Is Feeling, Adam Wilson follows the through-line of contemporary coming-of-age from the ravings of teenage lust to the staggering loneliness of proto-adulthood. He navigates the tough terrain of American life with a delicate balance of comedy and compassion, lyricism and unsparing straightforwardness. Wilson's characters wander through a purgatory of yearning, hope, and grief. No one emerges unscathed.
"While the best stories resonate, others feel out of reach for readers who can't see themselves on the page." - Publishers Weekly
"Irony and strong writing make this an excellent addition to short story collections." - Booklist
"Bleak First-World angst, delivered with style." - Kirkus
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Adam Wilson is the author of the novel Flatscreen, a National Jewish Book Award finalist. His stories have appeared in The Paris Review, Tin House, and The Best American Short Stories, among many other publications. In 2012 he received the Terry Southern Prize, which recognizes "wit, panache, and sprezzatura" in work published by The Paris Review. He teaches creative writing at New York University and lives in Brooklyn.
Analyzing humor is like dissecting a frog. Few people are interested and the frog dies of it.
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