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Brad Geagley worked for many years as a producer in the entertainment industry. However, history and writing were Geagley's real loves. He has written two novels in the Semerket series and is currently at work on a new stage play and screenplay. Geagley lives in Palm Springs, California.
Brad Geagley's website
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The ancient era in which you've set the book is not necessarily the
traditional setting for mysteries. What made you decide to choose Ancient Egypt?
Ancient Egyptian archaeology has been a love of mine from the time I was ten
years old. I've come to enjoy reading ancient laundry lists far more than other
literature. Historical fiction was also a great love -- books like "The
Egyptian," "Aztec," and the Angelique series. Therefore, when I
cast about for something to write, I thought it would be fun to do a "film
noir" set in Ancient Egypt, with a kind of ancient Sam Spade at its center.
I could thus write about the history that I love, but keep it short and
fast-paced. In other words, I decided to write chamber pieces instead of
symphonies.
Additionally, I find that I relate more to people and events from other eras.
The study of history simplifies things, too, giving us a mirror to hold up to
our own age. As Mark Twain said, "History doesn't repeat itself, but it
rhymes." I find it comforting to know that the problems of being human were
addressed five-thousand years ago, and in much the same way as they are today;
only technology changes.
Finally, I believe that history in this country is being ...
Lindsey Davis was born and raised in Birmingham, read English at Oxford, then joined the civil service. After thirteen years, her first novel (which she'd written for herself) was runner-up for the Georgette Heyer Historical ... (more)
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In 2004, Ruth Downie won the Fay Weldon section of BBC3's End of Story competition. Her first novel, Medicus and the Disappearing Dancing Girls was published in the UK in 2006, and in the USA in 2007 (as simply Medicus). The ... (more)
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Year of The Hyenas
Try:
Medicus
by Ruth Downie
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