Author Biography | Interview | Books by this Author | Read-Alikes
Peter Ho Davie's latest book is A Lie Someone Told You About Yourself. His previous novel, The Fortunes, a New York Times Notable Book, won the Anisfield-Wolf Award and the Chautauqua Prize, and was a finalist for the Dayton Literary Peace Prize. His first novel, The Welsh Girl, a London Times Best Seller, was long-listed for the Booker Prize. He has also published two short story collections, The Ugliest House in the World (winner of the John Llewelyn Rhys Prize, and the Oregon Book Award) and Equal Love (finalist for the Los Angeles Times Book Prize, and a New York Times Notable Book).
Davies' work has appeared in Harper's, the Atlantic, the Paris Review, the Guardian, the Washington Post and TLS among others, and been anthologized in Prize Stories: The O. Henry Awards and Best American Short Stories. In 2003 Granta magazine named him among its "Best of Young British Novelists."
Davies is a recipient of fellowships from the Guggenheim Foundation, and the National Endowment for the Arts and a winner of the PEN/Malamud and PEN/Macmillan Awards.
Born in Britain to Welsh and Chinese parents, he now makes his home in the US. He has taught at the University of Oregon, Northwestern and Emory University, and is currently on faculty at the University of Michigan.
Peter Ho Davies's website
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Q: What inspired you to write The Welsh Girl?
A: One of my earliest memories of my grandmothers house in North Wales is
playing with the small brass trinkets a letter opener in the shape of a sword,
a tobacco tin I took for a treasure chest shining on her mantelpiece. She told
me they were made from old shell casings by German prisoners of war held in
camps in Snowdonia. I was fascinated by how these objects had passed from their
hands to my grandmothers and then to mine. It might have been the first time I
felt history brush up against my own young life.
Q: Your father is Welsh, but your mother is Chinese, and you grew up in
England and now live in the United States. How Welsh do you feel?
A: I wasnt sure at the outset that I was Welsh enough whatever that means
to write the book (Ive had the same anxiety when writing about Chinese
subjects, too, so its a double bind). In the end, though, I think I wrote it
not despite that doubt, but because of it. The writing of the book is an effort
to answer the question, How Welsh am I? Or actually to enlarge that question a
little, to understand what it means to be Welsh.
Q: And what does ...
A classic is a book that has never finished saying what it has to say
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