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How to pronounce Sherman Alexie: sher-mn a-lexie
Sherman J. Alexie, Jr., was born in October 1966. A Spokane/Coeur d'Alene Indian, he grew up on the Spokane Indian Reservation in Wellpinit, Washington, about 50 miles northwest of Spokane. Approximately 1,100 Spokane Tribal members live there. Alexie's father is a Coeur d'Alene Indian, and his mother is a Spokane Indian.
Born hydrocephalic, with water on the brain, Alexie underwent a brain operation at the age of 6 months and was not expected to survive. When he did beat the odds, doctors predicted he would live with severe mental retardation. Though he showed no signs of this, he suffered severe side effects, such as seizures and uncontrollable bed-wetting, throughout his childhood. In spite of all this, Alexie learned to read by age three, and devoured novels, such as John Steinbeck's The Grapes of Wrath, by age five. All these things ostracized him from his peers and he was often the brunt of other kids' jokes on the reservation.
As a teenager, after finding his mother's name written in a textbook he was assigned at the Wellpinit school, Alexie made a conscious decision to attend high school off the reservation in Reardan, WA, where he knew he would get a better education. At Reardan High he was "the only Indian...except for the school mascot." There he excelled academically and became a star player on the basketball team.
He graduated from Reardan High and went on to attend Gonzaga University in Spokane on scholarship in 1985. After two years at Gonzaga, he transferred to Washington State University (WSU) in Pullman.
Alexie planned to be a doctor until he "fainted three times in human anatomy class and needed a career change." That change was fueled when he stumbled into a poetry workshop at WSU. Encouraged by poetry teacher Alex Kuo, Alexie excelled at writing and realized he'd found his new career choice. Shortly after graduating in American Studies from WSU, Alexie received the Washington State Arts Commission Poetry Fellowship in 1991 and the National Endowment for the Arts Poetry Fellowship in 1992.
Not long after receiving his second fellowship, and just one year after he left WSU, two of his poetry collections - The Business of Fancydancing and I Would Steal Horses - were published. Alexie had a problem with alcohol that began soon after he started college at Gonzaga, but after learning that Hanging Loose Press agreed to publish The Business of Fancydancing, he immediately gave up drinking, at the age of 23, and has been sober ever since.
Alexie continued to write prolifically and his first collection of short stories, "The Lone Ranger" and "Tonto Fistfight in Heaven," was published by Atlantic Monthly Press in 1993. For his collection he received a PEN/Hemingway Award for Best First Book of Fiction, and was awarded a Lila Wallace-Reader's Digest Writers' Award.
Alexie was named one of Granta's Best of Young American Novelists and won the Before Columbus Foundation's American Book Award and the Murray Morgan Prize for his first novel, Reservation Blues, published in 1995 by Atlantic Monthly Press. His second novel, Indian Killer, published in 1996, also by Atlantic Monthly Press, was named one of People's Best of Pages and a New York Times Notable Book.
Alexie occasionally does reading and stand-up performances with musician Jim Boyd, a Colville Indian. Alexie and Boyd also collaborated to record the album Reservation Blues, which contains the songs from the book of the same name. One of the Reservation Blues songs, "Small World" [WAV], also appeared on Talking Rain: Spoken Word & Music from the Pacific Northwest and Honor: A Benefit for the Honor the Earth Campaign. In 1996 Boyd and Alexie opened for the Indigo Girls at a concert to benefit the Honor the Earth Campaign.
In 1997, Alexie embarked on another artistic collaboration. Chris Eyre, a Cheyenne/Arapaho Indian, discovered Alexie's writing while doing graduate work at New York University's film school. Through a mutual friend, they agreed to collaborate on a film project inspired by Alexie's work.
The basis for the screenplay was "This is What it Means to Say Phoenix, Arizona," a short story from "The Lone Ranger and Tonto Fistfight in Heaven." Shadow Catcher Entertainment produced the film. Released as Smoke Signals at the Sundance Film Festival in January 1998, the movie won two awards: the Audience Award and the Filmmakers Trophy.
After success at Sundance, Smoke Signals found a distributor, Miramax Films, and was released in New York and Los Angeles on June 26 and across the country on July 3. In 1999 the film received a Christopher Award, an award presented to the creators of artistic works "which affirm the highest values of the human spirit." Alexie was also nominated for the Independent Feature Project/West 1999 Independent Spirit Award for Best First Screenplay.
In the midst of releasing Smoke Signals, Alexie competed in his first World Heavyweight Poetry Bout competition in June 1998. He went up against world champion Jimmy Santiago Baca and won the Bout, and then went on to win the title again over the next three years, becoming the first poet to hold the title for three and four consecutive years. He is the current reigning World Heavyweight Poetry Bout Champion.
Known for his exceptional humor and performance ability, Alexie made his stand-up debut at the Foolproof Northwest Comedy Festival in Seattle, WA, in April 1999, and was the featured performer at the Vancouver International Comedy Festival's opening night gala in July 1999.
In 1998, Alexie participated with seven others in the PBS Lehrer News Hour Dialogue on Race with President Clinton. The discussion was moderated by Jim Lehrer and originally aired on PBS on July 9, 1998.
In June 1999, The New Yorker acknowledged Alexie as one of the top writers for the 21st Century. He was one of twenty writers featured in the magazine's Summer Fiction Edition, "20 Writers for the 21st Century."
Alexie was a 1999 O. Henry Award juror, and was one of the judges for the 2000 inaugural PEN/Amazon.com Short Story Award. He was also a member of the 2000 Independent Spirit Awards Nominating Committee - the awards for independent film.
Alexie is the guest editor for the Winter 2000 issue of Ploughshares, a prestigious literary journal.
Alexie resides with his wife and two sons in Seattle, WA.
Sherman Alexie's website
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Why did you choose to publish new and selected stories now?
I published my first book of poems, The Business of Fancydancing, in 1992, so I thought I such do something special to mark my twenty-year publishing career. And also to honor my twenty-year relationship with Grove Press. In this digital era, I also loved the idea of having a thick, heavy book of mine sitting on the shelves. I wanted it to be physically and creatively substantial. I wanted it to be, yes, an old-fashioned tome.
You are a prolific writer of poetry, novels, screenplays, and recently, young adult books, but stories seem to be a favorite form of yours. Why?
I love writing stories because they seem to be a perfect blend of the brevity of poems and the extended narrative of novels. If the novel is a marathon and the poem is a sprint then the short story is the 800-meter run, which, by the way, is probably the most painful race to run. So I guess I like writing short stories because it's painful.
Do you have a favorite one in Blasphemy? One old, one new?
My favorite new story is "Cry, Cry, Cry," which returns to the Spokane Indian Reservation, and is just as tragic as many of my early stories, but also offers, if not redemption, then the hope of ...
The less we know, the longer our explanations.
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