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Caro De Robertis is the award-winning and bestselling author of several books, including The Palace of Eros, The President and the Frog, Cantoras, and more. Their work has been translated into eighteen languages and has garnered numerous honors including a fellowship from the National Endowment for the Arts, two Stonewall Book Awards, Italy's Rhegium Julii Prize, and the John Dos Passos Prize for Literature, which they were the first openly nonbinary person to receive. De Robertis is also an award-winning literary translator and a professor at San Francisco State University. They live in Oakland, California, with their two children. Find out more at CaroDeRobertis.com.
Caro De Robertis's website
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Did you purposefully set out to retell the history of Uruguay through the eyes of women?
In a way. I knew, when I began, that I wanted to write a narrative inspired by the family stories I had heard while growing up, from my parents, grandparents, and great-grandparents generations. It quickly became clear that the history of Uruguay itself was also central to the project and that women would form the heart of the book. In my familys oral tradition, the male ancestors tended to come with long, elaborate stories, while the women were often summed up in a brief sentence or two. Where did they come from? What did they see in their world, and breathe back into it? What treasures lie buried in their silence? One of the marvelous things about fiction is its ability to excavate, explore, or reinvent such treasures, when the original truths have been lost.
The novel spans the lives of three different women over 90 years. Was it challenging to develop a project of such a broad scope?
Lets put it this way: it was an adventure, and like many true adventures, it involved setting out without a map, a compass, or an inkling of how long or arduous the road would be. If I had known what would be required, how many years...
Use what talents you possess: The woods would be very silent if no birds sang there except those that sang best
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