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Tamas Dobozy was born in Nanaimo, BC. After receiving his Ph.D. in English from the University of British Columbia, he taught at Memorial University. His work has been published in journals throughout North America, and in 1995 he won the annual subTerrain short fiction contest. When X Equals Marylou, his first collection of short fiction, was shortlisted for the Danuta Gleed Award. Tamas Dobozy now teaches in the Department of English and Film Studies at Wilfrid Laurier University in Ontario.
Dobozy lives in Kitchener, Ontario, Canada.
This bio was last updated on 05/31/2017. In a perfect world, we would like to keep all of BookBrowse's biographies up to date, but with many thousands of lives to keep track of it's simply impossible to do. So, if the date of this bio is not recent, you may wish to do an internet search for a more current source, such as the author's website or social media presence. If you are the author or publisher and would like us to update this biography, send the complete text and we will replace the old with the new.
Reviewers have called Siege 13 a "novel-in-stories." What can linked story collections accomplish that conventional novels or unlinked collections cannot?
The writer Jack Hodgins wrote a great blurb for the Canadian edition of this book that claimed the form of the short story cycle is better for the material I deal with—multi-generational family stories, collective trauma, diaspora—because it captures the chaos of the times. I think this form is better able to present the fragmentary aspect of history. Unlike fragmentary novels (and there are a lot of these too), each story is complete in itself and yet situated in the book as a whole in a way that defies overall completeness. A novel can't really do this. It either tells an overarching story or presents fragments, but it can't do both in the way the short story cycle can. These stories zero in on an instant while the larger currents of causality are left forever in question. That seems to me a good way of tackling trauma, which somehow always seems so specific and at the same time so unfathomable.
Besides war and trauma, another recurring motif in Siege 13 is storytelling. We meet characters who are writers, obsessive patrons of small libraries, and...
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