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Tim O'Brien was born in Austin, Minnesota October 1, 1946. When he was ten, his family, including a younger sister and brother, moved to Worthington, also in southern Minnesota. O'Brien earned his BA in 1968 in Political Science from Macalester College, where he was student body president. That same year he was drafted into the United States Army and was sent to Vietnam, where he served from 1969 to 1970 in 3rd Platoon, Company A, 5th Battalion, 46th Infantry Regiment. Upon completing his tour of duty O'Brien went to graduate school at Harvard University, and afterward received an internship at the Washington Post.
O' Brien is the author of a critically acclaimed collection of short stories, The Things They Carried. He is also known for his work, Going After Cacciato, that won National Book Award (1979). His novel Lake of the Woods won the James Fenimore Cooper Prize for Best Historical Fiction in 1995.
O Brien lives in central Texas with his family and teaches at Texas State University. He also conducts several workshops to MFA students in creative writing program.
This bio was last updated on 11/29/2019. In a perfect world, we would like to keep all of BookBrowse's biographies up to date, but with many thousands of lives to keep track of it's simply impossible to do. So, if the date of this bio is not recent, you may wish to do an internet search for a more current source, such as the author's website or social media presence. If you are the author or publisher and would like us to update this biography, send the complete text and we will replace the old with the new.
You said after finishing your last novel, In the Lake of the Woods,
that you would never write another novel. What changed your mind?
I did not set out to write another novel. One day I sat down with the thought of
trying my hand at a piece of nonfiction, a personal memoir of youth, but over
the next several weeks, without intending it, the work began evolving into what
has become Tomcat in Love. How this occurred I am not entirely sure. At
one point, I began inventing bits of dialogue, straying from a strict
representation of fact. At another point, after composing maybe fifteen pages, I
called my editor to ask if I might exaggerate a few incidents and invent other
incidents to strengthen the narrative and to fill in the gaps of a faulty
memory. Finally, several weeks later, I surrendered to my own imagination and
called my editor to confess that I was at work on a new novel.
The subject matter of this novel is serious: betrayal, the loss of love,
revenge, and redemption. How did you manage to write a comic novel about the
often painful obsession of love?
Yes, the raw materials of Tomcat in Love are serious in the extreme. And
I consider Tomcat a "serious novel"--just as serious, for ...
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