Sign up for our newsletters to receive our Best of 2024 ezine!

Excerpt from The Hundredth Man by Jack Kerley, plus links to reviews, author biography & more

Summary |  Excerpt |  Reviews |  Beyond the Book |  Readalikes |  Genres & Themes |  Author Bio

The Hundredth Man by Jack Kerley

The Hundredth Man

by Jack Kerley
  • BookBrowse Review:
  • Critics' Consensus (6):
  • Readers' Rating (6):
  • First Published:
  • Jun 3, 2004, 320 pages
  • Paperback:
  • Jun 2005, 416 pages
  • Rate this book

About this Book

Print Excerpt


I live on Dauphin Island, thirty miles south of Mobile, several of them water. By Island standards my place is blushingly modest, a two-bedroom cottage perched on pilings over beachfront sand, but any realtor would list it for four hundred grand. When my mother died three years back she left me enough to swing the deal. It was a time in my life when I needed a safe retreat, and where better than a box in the air above an island?

The phone rang. I reflexively patted where pockets would be if I'd been wearing clothes, then plucked the phone from the table. It was Harry.

"We're wanted at a murder scene. Could be Piss-it's coming-out party."

"You're two months late for April Fool's, Harry. What's really happening?"

"Our inaugural ball, partner. There's a body downtown looking for a head."

Harry and I were homicide detectives in Mobile's first district, partners, our job security assured by the mindless violence of any city where the poor are abundant and tightly compressed. That shaped our world unless, according to the recently revised procedures manual, a murder displayed "overt evidence of psychopathological or sociopathological tendencies." Then, regardless of jurisdiction, the Psychopathological and Sociopathological Investigative Team was activated. The entire PSIT, departmentally referred to as Piss-it, of course, was Harry and me and a specialist or two we could enlist as needed. Though the unit was basically a public-relations scheme—and had never been activated—there were those in the department not happy with it. Like me, right about now.

"Get there as fast as you can," Harry said, reading me the address. "I'll meet you out front. Use siren, flashers. Gun it and run it, don't diddle around."

"You don't want me to pick up a quart of milk and a loaf of bread?"

The phone clicked dead.

I jumped into jeans and pulled on a semiclean dress shirt, yanking a cream linen jacket from the rack to cover the shoulder rig. I stumbled down the steps, climbed into the unmarked Taurus under the house, and blew away in a spray of sand and crushed shells. The flasher and siren stayed off until I'd crossed the inky stretch of Mississippi Sound to the mainland, where I cranked up the light show, turned on the screamer, and laid the pedal flat.

The body was in a small park on the near-southwest side of Mobile, five acres of oak and pecan trees surrounded by a turn-of-the-century neighborhood moving from decline to gentrification. Three flashing cruisers fronted the park, plus a tech services van. Two unmarkeds flanked a shiny black SUV I took as Squill's. The ubiquitous news van had its uplink antenna raised. Harry was forty feet ahead and walking toward the park entrance. I pulled to the curb and stepped out into an ambush, a sudden burst of camera light in my eyes.

"I remember you now," came a vaguely familiar voice from behind the glare. "You're Carson Ryder. You had something to do with the Joel Adrian case, right?"

I blinked and saw the woman reporter from the morgue rededication. She was in full TV-journalist bloom, lacquered hair, scarlet talons gripping a microphone like a condor holds a rabbit. Her other hand grabbed my bicep. She lifted the mike to her lips and stared at the camera.

"This is Sondra Farrel of Action Fourteen News. I'm outside of Bowderie Park, where a headless body has been discovered. With me is Detective Carson Ryder of the—"

I scowled at the camera and unleashed a string of swear words in three real languages and one invented on the spot. There's nothing reporters hate worse than a sound bite that bites back. The reporter shoved my arm away. "Shit," she said to the cameraman. "Cut."

I caught up with Harry at the entrance to the park, guarded by a young patrolman. He gave me a look. "You're Carson Ryder, aren't you?"

Reprinted from The Hundredth Man by Jack Kerley by permission of Dutton, a member of Penguin Group (USA), Inc. Copyright © Jack Kerley, 2004. All rights reserved. This excerpt, or any parts thereof, may not be reproduced without permission.

Membership Advantages
  • Reviews
  • "Beyond the Book" articles
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $45 for 12 months or $15 for 3 months.
  • More about membership!

Top Picks

  • Book Jacket: Small Rain
    Small Rain
    by Garth Greenwell
    At the beginning of Garth Greenwell's novel Small Rain, the protagonist, an unnamed poet in his ...
  • Book Jacket: Daughters of Shandong
    Daughters of Shandong
    by Eve J. Chung
    Daughters of Shandong is the debut novel of Eve J. Chung, a human rights lawyer living in New York. ...
  • Book Jacket: The Women
    The Women
    by Kristin Hannah
    Kristin Hannah's latest historical epic, The Women, is a story of how a war shaped a generation ...
  • Book Jacket: The Wide Wide Sea
    The Wide Wide Sea
    by Hampton Sides
    By 1775, 48-year-old Captain James Cook had completed two highly successful voyages of discovery and...

BookBrowse Book Club

Book Jacket
In Our Midst
by Nancy Jensen
In Our Midst follows a German immigrant family’s fight for freedom after their internment post–Pearl Harbor.
Who Said...

When a true genius appears in the world, you may know him by this sign...

Click Here to find out who said this, as well as discovering other famous literary quotes!

Wordplay

Big Holiday Wordplay 2024

Enter Now

Your guide toexceptional          books

BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.