Excerpt from The Plot Against America by Philip Roth, plus links to reviews, author biography & more

Sandy was four and I, Philip, wasn't yet born when in March 1932, Charles and Anne Morrow Lindbergh's own first child, a boy whose arrival twenty months earlier had been an occasion for national rejoicing, was kidnapped from his family's secluded new house in rural Hopewell, New Jersey. Some ten weeks later the decomposing body of the baby was discovered by chance in woods a few miles away. The baby had been either murdered or killed accidentally after being snatched from his crib and, in the dark, still in bedclothes, carried out a window of the second-story nursery and down a makeshift ladder to the ground while the nurse and mother were occupied in their ordinary evening activities in another part of the house. By the time the kidnapping and murder trial in Flemington, New Jersey, concluded in February 1935 with the conviction of Bruno Hauptmann—a German ex-con of thirty-five living in the Bronx with his German wife—the boldness of the world's first transatlantic solo pilot had been permeated with a pathos that transformed him into a martyred titan comparable to Lincoln. Following the trial, the Lindberghs left America, hoping through a temporary expatriation to protect a new Lindbergh infant from harm and to recover some measure of the privacy they coveted. The family moved to a small village in England, and from there, as a private citizen, Lindbergh began taking the trips to Nazi Germany that would transform him into a villain for most American Jews. In the course of five visits, during which he was able to familiarize himself at first hand with the magnitude of the German war machine, he was ostentatiously entertained by Air Marshal Göring, he was ceremoniously decorated in the name of the Führer, and he expressed quite openly his high regard for Hitler, calling Germany the world's "most interesting nation" and its leader "a great man." And all this interest and admiration after Hitler's 1935 racial laws had denied Germany's Jews their civil, social, and property rights, nullified their citizenship, and forbidden intermarriage with Aryans.

By the time I began school in 1938, Lindbergh's was a name that provoked the same sort of indignation in our house as did the weekly Sunday radio broadcasts of Father Coughlin, the Detroit-area priest who edited a right-wing weekly called Social Justice and whose anti-Semitic virulence aroused the passions of a sizable audience during the country's hard times. It was in November 1938— the darkest, most ominous year for the Jews of Europe in eighteen centuries—that the worst pogrom in modern history, Kristallnacht, was instigated by the Nazis all across Germany: synagogues incinerated, the residences and businesses of Jews destroyed, and, throughout a night presaging the monstrous future, Jews by the thousands forcibly taken from their homes and transported to concentration camps.  When it was suggested to Lindbergh that in response to this unprecedented savagery, perpetrated by a state on its own native-born, he might consider returning the gold cross decorated with four swastikas bestowed on him on behalf of the Führer by Air Marshal Göring, he declined on the grounds that for him to publicly surrender the Service Cross of the German Eagle would constitute "an unnecessary insult" to the Nazi leadership. Lindbergh was the first famous living American whom I learned to hate—just as President Roosevelt was the first famous living American whom I was taught to love—and so his nomination by the Republicans to run against Roosevelt in 1940 assaulted, as nothing ever had before, that huge endowment of personal security that I had taken for granted as an American child of American parents in an American school in an American city in an America at peace with the world.

The only comparable threat had come some thirteen months earlier when, on the basis of consistently high sales through the worst of the Depression as an agent with the Newark office of Metropolitan Life, my father had been offered a promotion to assistant manager in charge of agents at the company's office six miles west of our house in Union, a town whose only distinction I knew of was a drive-in theater where movies were shown even when it rained, and where the company expected my father and his family to live if he took the job. As an assistant manager, my father could soon be making seventy-five dollars a week and over the coming years as much as a hundred a week, a fortune in 1939 to people with our expectations. And since there were one-family houses selling in Union for a Depression low of a few thousand dollars, he would be able to realize an ambition he had nurtured growing up penniless in a Newark tenement flat: to become an American homeowner. "Pride of ownership" was a favorite phrase of my father's, embodying an idea real as bread to a man of his background, one having to do not with social competitiveness or conspicuous consumption but with his standing as a manly provider.

>From The Plot Against America by Philip Roth.  Copyright by Philip Roth 2004.  All rights reserved.