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"Sorry, darling," said Nick, and vamped through a few seconds of what they called Waldorf music before getting up and wandering out on to the balcony. They had only just started calling each other darling, and it seemed a nice part of the larger conspiracy of life at Kensington Park Gardens; but outside in the cool of the night Nick felt he was play-acting, and that Catherine was frighteningly strange to him. Her mirage of the beautiful poisonous universe shimmered before him again for a moment, but he couldn't hold it, and it slipped quickly away.
There was a supper party in a nearby back garden, and the talk and light clatter carried on the still air. A man called Geoffrey was making everyone laugh, and the women kept calling out his name in excited protest between the semi-audible paragraphs of his story. Out in the communal gardens someone was walking a small white dog, which looked almost luminous as it bobbed and scampered in the late dusk. Above the trees and rooftops the dingy glare of the London sky faded upwards into weak violet heights. In summer, when windows everywhere were open, night seemed made of sound as much as shadow, the whisper of the leaves, the unsleeping traffic rumble, far-off car horns and squeals of brakes; voices, faint shouts, a waveband twiddle of unconnected music. Nick yearned for Leo, away to the north, three miles up the long straight roads, but possibly anywhere, moving with invisible speed on his silver bike. He wondered again in which park the photo of him had been taken; and of course what person, routinely intimate with Leo, had taken it. He felt hollow with frustration and delay. The girl with the white dog came back along the gravel path, and he thought how he might appear to her, if she glanced up, as an enviable figure, poised against the shining accomplished background of the lamplit room. Whereas, looking out, leaning out over the iron railing, Nick felt he had been swept to the brink of some new promise, a scented vista or vision of the night, and then held there.
From The Line of Beauty by Alan Hollinghurst, pages 3-17.Copyright 2004 by Alan Hollinghurst. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles or reviews. Reproduced by permission of Bloomsbury Publishing.
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