Excerpt from Sightseeing by Rattawut Lapcharoensap, plus links to reviews, author biography & more

When I settle myself into the tree, I start to tell Surachai everything, including the episode on the elephant. As I talk, Surachai snakes his way out onto one of the branches and drops a mango for Clint Eastwood down below.

"At least you're having sex," Surachai says. "At least you're doing it. Some of us just get to sit in a mango tree and think about it."

I laugh.

"I don't suppose," Surachai says, "you loved this girl?"

I shrug.

"You're a mystery to me, phuan," Surachai says, climbing higher now into the branches. "I've known you all these years, and that's the one thing I'll never be able to understand—why you keep falling for these farang girls. It's like you're crazy for heartache. Plenty of nice Thai girls around. Girls without plane tickets."

"I know. I don't think they like me, though. Something about the way I look. I don't think my nose is flat enough."

"That may be true. But they don't like me either, okay? And I've got the flattest nose on the Island."

We sit silently for a while, perched in that mango tree like a couple of sloths, listening to the leaves rustling around us. I climb up to where Surachai is sitting. Through the thicket, I see Clint Eastwood jogging out to meet a group of farangs making their way down the beach. I call out to him, tell him to stay, but my pig's not listening to me.

It's Hunter and his friends, laughing, slapping each other's backs, tackling each other to the sand. Lizzie's walking with them silently, head down, trying to ignore their antics. When she sees Clint Eastwood racing up to meet her, she looks to see if I'm around. But she can't see us from where she's standing. She can't see us at all.

"It's that fucking pig again!" Hunter yells.

They all laugh, make rude little pig noises, jab him with their feet. Clint Eastwood panics. He squeals. He starts to run. The American boys give chase, try to tackle him to the ground. Lizzie tells them to leave the pig alone, but the boys aren't listening. Clint Eastwood is fast. He's making a fool of them, running in circles one way, then the other, zigzagging back and forth through the sand. The more they give chase, the more Clint Eastwood eludes them, the more frustrated the boys become, and what began as jovial tomfoolery has now turned into some kind of bizarre mission for Hunter and his friends. Their chase becomes more orchestrated. The movements of their shadows turn strategic. They try to corner the pig, run him into a trap, but Clint Eastwood keeps on moving between them, slipping through their fingers like he's greased.

I can tell that Clint Eastwood's beginning to tire, though. He can't keep it up much longer. He's an old pig. I start to climb down from the mango tree, but Surachai grabs me by the wrist.

"Wait," he says.

Surachai climbs out to one of the branches. He reaches for a mango and with a quick sweeping motion throws the fruit out to the beach. It hits one of the boys squarely on the shoulder.

"What the fuck!" I hear the boy yell, looking in the direction of the tree, though he continues to pursue Clint Eastwood.

They have him surrounded now, encircled. There's no way out for my pig.

I follow Surachai's lead, grab as many mangoes as I can. Our mangoes sail through the night air. Some of them miss, but some meet their targets squarely in the face, on the head, in the abdomen. Some of the mangoes hit Lizzie by accident, but I don't really care anymore, I'm not really aiming. I'm climbing through that tree like a gibbon, swinging gracefully between the branches, grabbing any piece of fruit—ripe or unripe—that I can get my hands on. Surachai starts to whoop like a monkey and I join him in the chorus. They all turn in our direction then, the four farangs, trying to dodge the mangoes as they come.

This is the complete text of 'Farangs', one of seven short stories collected in Sightseeing. Copyright © 2005 by Rattawut Lapcharoensap. Reprinted with permission from Grove Atlantic, Inc. All rights reserved. No part of this book maybe reproduced without written permission from the publisher.