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One
I'm writing this by the light of a new day, with a pen on paper, the old way. No
seamless corrections possible here. I want to see my first thoughts, and the
words I cross out, and the words I choose to replace them. First thoughts are
usually lies. Vicino says, Write something about yourself, then write the
opposite. Then open your mind to the possibility that the second statement is
true.
I'm not a bad person. I'm a bad person.
I didn't mean to kill the man in the reading room. I did mean to kill the man in
the reading room.
What happened afterwards wasn't my fault, don't blame me. It was my fault. Blame
me.
So this is the story of how everything changed. I'm not going to tell you my
name. If you want a name, use your own.
Begin with a day picked at random, recalled without hindsight. I must do my best
to make you understand what I was, because only then will you understand what I
have become. The operation has been a complete success, but, as they say, the
patient died.
On this random day from all that time ago, longer ago than yesterday, I'm
sitting alone in my room, the blind down over the window and the door locked.
There's music playing to which I am not listening. The television is on, with no
sound. I'm not watching. It's just there like the crack of light on the
windowsill and the pressure in my bladder that tells me I need to piss. Maybe
I'll go soon. I'm doing nothing in particular. I do nothing most days. You could
say it's what I do, like it's my occupation. This is not a problem. I don't want
anything. I have the animal needs like you do, to eat and excrete, to mate and
to sleep, but as soon as the needs are met they go away, and everything's the
way it was before. That stuff is necessary. We're not talking desire.
I don't even want money. What's the point? You see something you want to buy,
you get excited about having it, you buy it, the excitement fades. Everything's
the way it was before. I've seen through that game. They make you want things so
they get your money. Then they take your money and then they've got it, and what
do they do? They use it to buy things someone else has made them want. For a few
moments they think they're happy, and then it all fades and everything's the way
it was before. How stupid can you get? It's like fish. Fish swim about all day
finding food to give them energy to swim about all day. It makes me laugh. These
people who hurry about all day making money to sell each other things. Anyone
with eyes to see could tell them their lives are meaningless and they aren't
getting any happier.
My life is meaningless. I'm not getting any happier.
My late father says, "Your mother tells me you spend all day shut up in
your room."
I say, "She does not lie."
He says, "There's a big wide world out there. You're not going anywhere so
long as you stay shut up in your room."
I say, "There's nowhere to go."
He hates that. My negative attitude. I could tell him he's not going anywhere
either. But why pop his balloon?
I like my room. I said before I don't want anything, but this isn't entirely
true. I want my own room. I don't much care what's in it so long as it has a
door I can shut and lock so people don't come asking me to do things. I expect
maybe I'll spend the rest of my life in my room, and at the end I'll just die
here and no one will find me and that's just fine with me.
This big wide world: first of all, it's not so big and wide. Really the world is
only as big as your experience of it, which is not big at all. And what sort of
world is it? I would characterise it as remote, uninterested, unpredictable,
dangerous, and unjust. When I was small I thought the world was like my parents,
only bigger. I thought it watched me and clapped when I danced. This is not so.
The world is not watching and will never clap. My father doesn't get this, he's
still dancing. It makes me quite sad to see him.
Excerpted from The Society of Others by William Nicholson, pages 1-8. Copyright © 2005 by William Nicholson. Excerpted by permission of Nan A. Talese, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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