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"There's someone I need you to meet."
"Don't tell me," I said with an inward groan.
"A girl."
"A young architect."
"Who happens to be female."
"How did you guess?" Luis said. His smile was wicked.
"I know you, Luis," I said. "Is this why Jennifer's
out of town with the kids?"
"She's different."
"Aren't they always?"
Luis had confessed to me once his belief in the superior force
of certain women, partners who would inspire him in work and to whom he could
devote himself in worship, preferably of the sort that went on between the
sheets. This figure of the museconveniently for Luis, or maybe notpresented
herself to him in the shape of someone new every couple of years or so, and when
he was around such women his stubborn dreaminess exploded into production. He
took from them the black magic of their will; in return, he offered devotion,
dedication, submission. Sometimes they swallowed him in marriage. On other
occasions they would abandon him and he would languish. What can I say? Luis was
a romantic, a character type I didn't completely understand and wholly
despised.
"She's saving me," Luis said, hugging me
tight so that I felt his sweat, and the reek of gin and eau de cologne rocketed
up my nostrils. "She's been asking about you. In a way that almost makes
me jealous."
And so, before I could protest, he introduced me to Mallory
Walker.
I was a big-time architect, a man of the world, a cynic,
adept at maneuver and compromise. Ideals and grand plans had no place in my
life. I was scrambling always to get ahead, working always to make the process
look smooth. I fancied that I knew about people, what made them tick and
the noises they made. In my experience, money and power made things go, caused
the squeals of delight and fear, the squawks, the base grunts of satisfied
desire. In a more elegant way, or so I liked to think, I was driven by ambition.
Maybe I was blinded by it, too. I'd risen high fast, and in my professional
and social lives I tended to meet only people as jaded and unimpressable as
myself. I was unprepared for an encounter with a woman whose motives were so
pure she might have been a saintor a devil. And so, for a long time, I got
Mallory Walker all wrong. I should have been terrified. Instead, I scarcely paid
attention as she strode toward us from the other side of the pool.
My first impressions were of a cool hand and a firm, bony
handshake. A slender figure in blue linen and flat heels. A lean face with hair
cropped short and bleached blond, almost silvery in color. Full lips, nose
slightly upturned. An impression of impudence, of life. Her eyes were a pale
gray-green, and powerful, of startling clarity; she looked at me as though she
knew my every secret.
"Pleased to meet you," she said, as simply as that.
Her voice was clear and clipped, with no identifiable accent.
From The Devil's Wind by Richard Raynor. HarperCollins Publishers. Used by permission.
No pleasure is worth giving up for the sake of two more years in a geriatric home.
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