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The smile he directed at me that morning when he found
me waiting belonged to the first category: the one that lighted his
eyes, refuting the imperturbable gravity of his face and the harshness
he often intentionally gave to his words, even when he was far from
feeling it. He looked up and down the street, appeared to be satisfied
when he did not see any new creditor lurking about, walked toward me,
removed his cape, despite the cold, and tossed it to me, wadded into a
ball.
"Íñigo," he said. "Boil this. It is crawling with
bedbugs."
The cape stunk, as did he. His clothing held enough
bugs to chew the ear off a bull, but all that was resolved less than an
hour later in Mendo el Toscano's bathhouse. A native of Tuscany, the
barber had been a soldier in Naples when only a lad, and he admired
Diego Alatriste greatly, and trusted him. When I arrived with a change
of clothing, the only other full outfit the captain kept in the battered
old cupboard that served us as a clothespress, I found him standing in a
wood tub overflowing with dirty water, drying himself. El Toscano had
trimmed his beard for him, and the short, wet chestnut hair combed back
and parted in the middle revealed a broad forehead tanned by the sun of
the prison courtyard but marred by a small scar that ran down to his
left eyebrow. As he finished drying and putting on the clean breeches
and shirt, I observed other scars I was already familiar with. One in
the shape of a half-moon between his navel and his left nipple. A long
one that zigzagged down a thigh. Both had been made by a cutting blade,
a sword or dagger, unlike a fourth on his back, which had formed the
telltale star left by a musket ball. The fifth was the most recent,
still not completely healed, the one that kept him from sleeping well
every night: a violet gash almost a hand's breadth wide on his left
side, a souvenir of the battle of Fleurus. It was months old, and at
times it opened and oozed pus, although that day as its owner stepped
out of the tub it did not look too bad.
I helped him as he dressed, slowly and carelessly: dark
gray doublet and knee breeches of the same color, tight at the knees
over the buskins that hid the ladders in his hose. Then he buckled on
the leather belt that I had carefully oiled during his absence, and
into it thrust the sword with the large quillons, whose blade and guard
showed the nicks, knocks, and scratches of other days and other blades.
It was a good sword, long, intimidating, and of the best Toledo steel,
and as it was drawn or sheathed it gave off a long metallic sssssss
that would give you gooseflesh. He studied his reflection in a dim
half-length mirror for a moment, and smiled a weary smile.
"'Sblood," he muttered, "I feel thirsty."
Without another word he preceded me down the stairs and
along Calle Toledo toward the Tavern of the Turk. As he had no cloak,
he walked along the sunny side, head high, with the frazzled red plume
in the band of his hat dipping and waving. He touched his hand to the
wide brim to greet some acquaintance, or swept the hat off as he passed
a lady of a certain status. I followed, distracted, taking in
everything: the urchins playing in the street, the vegetable vendors in
the arcades, and the groups of gossiping idlers sitting in the sun
beside the Jesuit church. Although I had never been overly innocent,
and the months I had been living in the neighborhood had had the virtue
of opening my eyes, I was still a young and curious pup who looked at
the world with an astonished gaze, trying not to miss a single detail.
From Captain Alatriste by Arturo Perez-Reverte. Copyright 1996 by Arturo Perez-Reverte. All rights reserved. Excerpt reproduced with the permission of the Putnam Publishing.
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