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The commander rather expected a smile to follow. But Karadzic's face
stayed stony. The commander was replaced in Sarajevo within a few weeks.
The Knight continued his morning recital.
"And what do you do with those slim tubes of condensed French army milk
left over from Algeria?" he asked. "They look like toothpaste. Oh,
waitwhy would you need toothpaste when you have no food, and no water?
Civilized people use toothpaste. But all these Muslims swarming into
town from the hills squat on the floor to go to the toilet. Hand them a
tube of toothpaste and they would probably just squirt it up their ass."
The Knight then took his voice down a notch until it was low and slow.
"Well, Muslims, savor your crumbs. Our boys are coming over to party
tonight. While you're in bed, unable to sleep, they will sneak around
those young boys and girls and all the old men who are your sentries. Do
you think the Frenchies will stop us? They will turn their blue helmets
around and face the other way. The United Nations are united in being
scared. Serbs are warriors, not faggots. We will track down all the
rag-heads, Jew-lovers, and Gypsy whores. We will shake them out of their
beds and then take them from behind. Oooh-aaah! Oooh-aaah! They like
that! People who squat on their heels to shit must like it up the ass.
Our boys will wring your necks like fragile birds. We'll pour your blood
into a silver Jew's cup and drink it like plum wine. Tonight, we Serbs
will eat roast duck, golden potatoes, and rich red beets," and here,
underneath the Knight's voice, she could hear Phil Collins beginning to
sing. She calls out to the man in the street. . . .
"But we will leave room in our gullets," the Knight went on over the
music, drawing out each syllable almost dreamily. "We will leave room
for your homes, your jewels, your televisions and cars. Your wives and
daughters. Oh, think twice!" he joined in imprecisely with Phil
Collins's rasp. "It's just another day in paradise. . . ."
Sometimes, Irena thought, you have to listen to an awful lot of crap
just to get to the music.
A pigeon flapped onto Irena's head, flexing its claws in the chain
stitch of her black ski mask, one-two, one-two, like a disco step. The
matchstick-thin pink toenails that she found so exquisitely petite and
endearing cut sharply into her scalp, one-two, one-two. Irena cursed the
sociability of pigeons as another flapped in.
"Damn birds," she muttered. "Damn pretty birds. Do you think I'm hiding
a pile of breadcrumbs?" Beneath her ski mask, a slick of sweat began to
sting.
The sky continued to lighten. Irena began to pick out small, inadvertent
glints in the dim landscape across the way. She saw a cat drowsing in
front of a shade drawn down on a windowsill. A man had lit a candle
without realizing the board he had pressed over his doorframe had a
crack that let through a splinter of light.
The Miljacka River, which used to tie the city together like a ribbon,
now divided it like the edge of a serrated knife. Grbavica apartments
looked north over the wiry green river, into the Ottoman-age monuments
and minarets on what had become the Bosnian slice of the city: the ruins
of the National Library, the old synagogue, the main Serbian church, and
the city's central mosque. Apartment buildings in Grbavica had been posh
addresses just a few months ago. Officers of the Yugoslav National Army
had appropriated many of them (for only Communism, not favoritism, had
fallen in Yugoslavia).
Excerpted from Pretty Birds by Scott Simon Copyright © 2005 by Scott Simon. Excerpted by permission of Random House, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
I have always imagined that paradise will be a kind of library
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