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Because Ursula is clamoring for lunch, they have pulled the
truck over onto a graveled apron of the road, then meandered through a patch of
woods, and are wandering peacefully in an odd clearing a short distance into the
woods. They have no idea that this clearing once held the boiler house of an old
mine. The grass grows up through a layer of finest ashy pea-gravel, a relic of
the long-vanished brick structure. When the mine was operating, the land was
scalped clean: no trees anywhere. The forest is thick again.
The fragrance of lilacs hovers in the air: there are wild
lilac bushes to either side of the clearing. Lupines with their intense tiny
indigo blooms poke up here and there. Clumps of wild lavender tuck themselves
everywhere. Something elsea bush?smells like licorice. Justin has set down the
picnic basket in the grass. A tiny brown-speckled bird lands on its arched
handle. Ursula chortles in delight and leaps to grab it.
"Nope," says Justin. "Birds are to fly." The bird, as if to
demonstrate, lifts off. Ursula claps her hands in delight. Then she crouches
again and tries to pick one of the tiny white blossoms. "Let it be," Annie says.
"It will make a strawberry." Ursula rises to standing, her full height of two
feet plus, plunks her fists onto her hips, elbows akimbo, and scowls in
frustration: Here we are out in all this great sweet stuff and I can't do
anything.
At the edge of the denser forest at the back of the clearing,
there is a rustling sound. Papery, slight, but distinct in the silence. Ursula's
head turns. A flash of white: a deer, venturing tentatively out of the forest,
has spotted them, and turns tail to run. It is perhaps a dozen feet away. Ursula
runs after it, squealing. The deer, of course, will not be caught, and there is
nothing to say except "Let it go." Annie and Justin smile at each other, a
moment too quick in its passing to run to the truck for the camera.
Ursula tiptoes dramatically, thinking perhaps of Olivia
againshe watches those Cosby Show reruns, mesmerized, over and over night after
night and can recite people's lines along with them. She cranes back over her
shoulder at Justin and Annie to make sure they see her. They beam at her. She
puts her finger to her lips: Shhh. Her back is to them. The blond braid down her
back shines like silk floss in the sunlight, against the plum violet quilt of
the coat. The deer is still in sight, a few feet into the leafy green shade of
the forest. She is determined to catch it. The delight in her eyes is
unmistakable.
She gives them a sign in mime: Watch me. Ursula's every
gesture seems meant for the comedic stage. She is a natural. She tiptoes toward
the tree line. The deer disappears deeper into the forest, as silent as breath.
Ursula puts on a burst of speed, silent herself, looking back at Justin and
Annie, steps into the trees, and disappears from sight. The only sound is an
astonished tiny intake of breath from Ursula as she goes down, like a penny into
the slot of a bank, disappeared, gone.
Annie looks terror at Justin, trips on the long skirt that
covers her scars, lurches forward, and falls awkwardly onto her bare elbows.
They sting and ooze blood. Justin is already at the spot where Ursula
disappeared. "Oh, God, Annie," he says. His voice is barely audible.
Annie raises herself on her cane and stumbles toward him.
They stand transfixed, staring down. The opening into which Ursula has fallen is
amazingly small, and they can see nothing but darkness. They certainly cannot
see Ursula herself.
From Ursula, Under by Ingrid Hill. Copyright Ingrid Hill 2004. All rights reserved. No part of this book maybe reproduced without written permission from the publisher.
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