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'Bit of a turn-round, eh, Arthur?' I said. I wasn't lucky, I was
pathetic. Years of war, all those bombed-out people who could joke and
smile at me with a steady gaze just after they'd had everything wiped
out, and here was I, shaking so much that an old shell-shocked veteran
had to help me get tea to my lips.
'Trust me, eh,
Arthur, to get killed when the war's nearly won. Funny, really, when
you look at it like that. Don't you think it's funny? Eh, Arthur, do
you think it's funny?'
He had to help me to bed,
walking me up the stairs -- I was an invalid.
'I heard someone call my name. Just before the blast someone called
me. Who was it, d'you think? Do you think it could have been Auntie
Dorothy or my little brother Jimmy, warning me, you know, from
beyond?' I didn't ask him if he thought it was Michael seeing me in
the street, although I wanted to. But Arthur was tucking in the
bedclothes and plumping pillows that still had an improper whisper of
Michael Roberts on them. I couldn't do up the buttons on my
nightdress, my fingers were all quivering thumbs. 'Come on, Queenie,
pull yourself together,' I said. Arthur, sitting me on the edge of the
bed, carefully did them up for me. 'Thank you,' I told him. He tucked
me in, swaddling me tight enough for an anxious baby. Then, lowering
his head, he slowly moved towards me. And I knew he was going to kiss
me. But he was going to kiss me on the mouth. I turned my head to the
side. He hovered, fearful as a lover gone too far. Softly, slowly, his
lips opened.
'I would die if anything happened to
you,' he said, one careful word at a time.
'Arthur, you spoke.' His voice, deep like Bernard's, was posh as
the BBC. I was as stunned as if the wardrobe had told me it could take
no more clothes. 'You spoke. You can speak.' I waited, wanting him to
say something else. Talk to me. All those things he'd seen he could
tell me now. Explain how it was for him. What he felt, what he
thought. Recite me a poem, perhaps. But he didn't -- he just leaned
forward again, this time to kiss my forehead. And I couldn't help it
-- I started to sob. Bring me back the blinking chiming clock, the
knitting needles going clack, clack, clack, and Bernard pulling his
chair closer to the wireless before giving me a tut. I had had enough
of war. Come on, let's all just get back to being bored.
'Don't leave me,' I told Arthur. I opened the covers for him to get
into the bed with me. But he tucked them back, then pulled the chair
up beside me and sat down. Silently.
Fifty-one
Gilbert
It was in bewilderment that Hortense walked from the place.
Clutching her bag, her head held high. Four strident steps she took
before she stop to look about her. Dismayed, she stand, fingers
trembling at her mouth. She change direction for two steps. Then stop
once more. She look up the street one way, then down the street the
other. A paper drop from her hand on to the ground. She stoop to pick
it up. Then bump against a big man who call at her, 'Oi, watch where
you're going.' And the paper slip from her again. She chase it.
Struggling with the clasp from her handbag she stuff the paper in
before she start anew. Four paces this way then two paces the other. I
call out to her, she see me. All at once this woman finally know which
way she is going. Anywhere that is away from me. Tripping along the
road I try to keep a steady course beside her.
From Small Island by Andrea Levy. Copyright Andrea Levy 2004. Reproduced with the permission of the publisher. All rights reserved.
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