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Mottled sea stars were common, but I'd examined thousands of
stars and had never seen this same color or pose. I picked it up. Its
underside was as pale as a black man's palm, and its two bottom legs
appeared fused. I wondered how it moved well enough to hunt, but
it looked healthy, its hundreds of tiny suction-cup feet apparently
fully operable. I stuck it in a sack with some water and slipped it into
my backpack. I then waded up to my calves toward the mid-sized
oyster farm belonging to Judge Stegner.
That was my alibi if I was caught out there, that I was tending the
judge's oysters. He paid me twenty dollars a month to help maintain them, though not at
night, of course. Still, it was nice to have an
answer if someone asked what I was doing out there at that hour. I
had the words Judge Stegner on my side, and I knew how everyone
felt about him. My father tucked his shirt in whenever he came around. And when the judge spoke in his
deep, easy rumble, nobody interrupted.
Near the oyster farm something happened that never failed to
spook me in the dark. I saw a few dozen shore crabs scrambling near
the rectangular, foot-high mesh fence around the judge's oyster beds. Crabs amused me in small
crowds. It's when they clustered at
night that they unhinged me, especially when they were in water
where they moved twice as fast as on land. It was obvious there were
more crabs--and bigger crabs--than usual, so I tried not to expand
my range of vision too fast. It was no use. I saw hundreds, maybe thousands,
assembling like tank battalions. I stepped back and felt
their shells crunch beneath my feet and the wind pop out of me.
Once I steadied, I flashed my headlamp on the oyster fence that three red rock crabs were aggressively scaling.
It looked like a jail break with the biggest ringleaders leading the escape. I suddenly
heard their clicking pinchers clasping holds in the fence, jimmying
their armored bodies higher. How had I missed that sound? The
judge's oysters were under siege, but I couldn't bring myself to interfere. It felt like none of my business.
I picked my steps, knowing if I slipped and tumbled I'd feel them
skittering around me as cool water filled my boots. I rounded the
oyster beds, to the far side, relieved to find it relatively crab free. It
was low tide by then, and I saw the water hesitating at its apex,
neither leaving nor returning, patiently waiting for the gravitational
gears to shift. Dozens of anxious clams started squirting in unison
like they did whenever vibrating grains of sand warned them
predators were approaching. I stopped and waited with them, to
actually see the moment when the tide started returning with its
invisible buffet of plankton for the clams, oysters, mussels and other
filter feeders. It was right then, ankle deep in the Sound, feet numbing, eyes
relaxed, that I saw the nudibranch.
In all my time on the flats I'd never seen one before.I 'd read
about them, sure.I'd handled them at aquariums but never in the wild, and I'd never even seen a photo of one this stunning.
It was just three inches long but with dozens of fluorescent,
orange-tipped hornlike plumes jutting from the back of its see-through body that appeared to be lit from within.
Nudibranchs are often called the butterflies of the sea, but even
that understates their dazzle. Almost everything else in the northern Pacific is dressed to blend with pale
surroundings. Nudibranchs
don't bother, in part because they taste so lousy they don't need
camouflage to survive. But also, I decided right then, because their
beauty is startling it earns them a free pass, the
everyday life brakes for peacocks, parade floats and supermodels.
I bagged that sea slug--it weighed nothing--and set it in my
backpack next to the Jesus star. Then I gave the crabs a wide berth,
found the moon snail, poked him in the belly until he contracted,
bagged him and paddled south toward home beneath the almost-
full moon.
From The Highest Tide by Jim Lynch, pages 1-8. Copyright 2005 by Jim Lynch. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher except in the case of brief quotations embodied in critical articles or reviews. For information address Bloomsbury Publishing,175 Fifth Avenue, New York, NY 10010.
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