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A Novel
by Myla Goldberg
Michael joked that his sister rode the streetcar every day to make up
for never having outdistanced him on a sled. Though he was as immune as
the rest of her family to the forces that drew her to Washington Street,
he formulated a theory to explain the aberration.
"I don't know how it came to be," he informed her once it became
clear she would not be abandoning her streetcar commute, "but it looks
like you turned out the migrating bird in a family of pigeons." Lydia
treasured his gift, picturing herself as she rode the streetcar as one
of the long-necked geese whose silhouettes she observed angling south in
late autumn.
On the other side of the bridge, in the stockroom, Lydia learned the
difference between a heavy tub silk and a crepe de chine shirt and the
relative merits of a Norfolk versus a sacque suit. She learned that the
best suit jackets were nipped in at the waist and slope-shouldered. When
a counter girl was fired for tardiness, Lydia was ready. She claimed the
sales floor for herself.
For four years she worked behind a lustrous wood counter on the ground
level, amid the polished marble floors and hanging crystal lamps of the
showroom. Gilchrist's Tiffany rotunda gazed down from three levels
above like an emerald eye. Inside her starched, white shirtwaist, her
hair piled into a careful bun, she felt as if her best self lurked just
beneath her skin, a shimmery fish that might breach the surface at any
moment. Standing before a selection of men's shirts in a dazzling
array of colored fabric, she could eye a man's collar size, budget,
and tastes in a glance and knew, just by looking, the thread count of a
cotton shirt or the origins of a piece of silk.
Even after four years, she thrilled at sealing a customer's payment
into a pneumatic capsule and sending it to the cashier for change. Miles
and miles of pneumatic tubing crisscrossed Gilchrist's walls and
ceilings. Capsules left Men's Furnishings on a current of compressed
air to travel over Silks and Velvets, over Embroideries and Trimmings,
past Veilings, and past Black and Colored Dress Goods. Lydia pictured
her customers' sales slips speeding past countergirls whispering among
themselves in Millinery, past the solitary salesgirl at Umbrellas who
every day prayed for rain.
Lydia once visited the Cashier's Office just to see the veritable pipe
organ of commerce where each capsule arrived with a thunk, its contents
scrutinized by a woman whose hands must have smelled always of money.
Lydia wondered if the woman scrubbed the scent from her skin at night,
or if her dreams glimmered with visions of wealth. Whenever Lydia
retrieved the returning capsules containing a customer's correct
change, she felt the cold, dry breath of the pneumatic tube on the back
of her hand. On slow days she listened to the exhalations of the tubes
behind her counter. After four years, she still marveled at the notion
that money pumped through the store no less fervently than blood through
her own veins.
The morning of Lydia's first lunch with a customer, she had been
standing with her back to the sales floor straightening her stock when
her attention was redirected by a neighboring countergirl, who whispered
Lydia's name once the gentleman had been standing a few moments
unattended. The fellow was impressively dressed for someone so clearly
uncomfortable in his own skin. His clothing seemed to subsume rather
than enhance his form, as if his legs were no match for worsted wool,
his chest unequal to the task of imported linen. Though he was a
striking man, Lydia was reminded of a child, dressed with care by his
mother.
Excerpted from Wickett's Remedy by Myla Goldberg Copyright © 2005 by Myla Goldberg. Excerpted by permission of Doubleday, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
People who bite the hand that feeds them usually lick the boot that kicks them
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