Excerpt from Saving Fish From Drowning by Amy Tan, plus links to reviews, author biography & more

It was Sweet Ma. Father had gone back and insisted three more times that she come. Though her dignity was shaken, she had allowed herself to be pulled from her chair and carried screaming to the waiting car that whisked them both to the wharf. Thus, Sweet Ma returned, more determined than ever to put some sense into my brain by beating the evil out of my body. How lucky was I that she continued as my dim guiding light.

Sweet Ma tried to shape my mind, pounding it like dumpling dough. And the more she tried, the more I became like my mother, so she said. I was greedy, she warned, and could not fill my heart with enough pleasure, my stomach with enough contentment, my body with enough sleep. I was like a rice basket with a rat hole at the bottom, and thus could not be satisfied and overflow, nor could I be filled. I would never know the full depth and breadth of love, beauty, or happiness. She said it like a curse.

Because of her criticism, I acted as if I were even more deficient in feeling, particularly toward her. I found that a blank face and a bland heart were the very things that made Sweet Ma's eyebrows bulge to bursting. My reasoning was this: How could I be wounded when I didn't care? In time, I felt I was growing stronger and stronger. My legs no longer buckled, and I learned to hide from pain. I hid my deepest feelings so well I forgot where I had placed them.

I remember the terrible night I realized that Sweet Ma's curse had come true. It was a year after I started university life, and I had returned home at Sweet Ma's command to join the family celebration of the Autumn Festival, what is traditionally a time of thanksgiving. Now here we were, my father and brothers and I, at the usual gathering of distant relatives and Chinese friends, both longtime citizens and the recently immigrated. We were in the backyard of a second cousin's house in Menlo Park, about to view the full moon rise. We carried paper lanterns with sputtering candles, and walked toward the swimming pool. And in that pool, I saw the moon appear and shimmer, a golden melon and not just a flat disc, as it had always appeared to me before. I heard people moan with happiness. I saw their mouths pop open, the rims of their eyes drip with tears.

My mouth was closed, my eyes were dry. I could see the moon as clearly as they, and I could even appreciate its special glories. But why didn't I flood in the same way? Why was their happiness tenfold what I felt? Did I lack the proper connection between the senses and the heart?

And then I realized that this was my habit. To hold back my feelings. To keep my knees from buckling. And with that knowledge, I was ready to feel whatever I wanted, as fully as I wanted. I gazed at the moon and willed myself to feel all the emotions. I waited for joy and awe to wash over me. I was determined, I was ready, I was anticipating, expecting, hoping . . . but nothing happened. My legs stood strong and straight.

That night of the moon viewing I realized I would always be deficient in great feeling. It was because I never had a proper mother while I was growing up. A mother is the one who fills your heart in the first place. She teaches you the nature of happiness: what is the right amount, what is too much, and the kind that makes you want more of what is bad for you. A mother helps her baby flex her first feelings of pleasure. She teaches her when to later exercise restraint, or to take squealing joy in recognizing the fluttering leaves of the gingko tree, to sense a quieter but more profound satisfaction in chancing upon an everlasting pine. A mother enables you to realize that there are different levels of beauty, and therein lie the sources of pleasure, some of which are popular and ordinary, and thus of brief value, and others of which are difficult and rare, and hence worth pursuing.

But through my formative years, I had only Sweet Ma. That woman with her parched innards tried to push upon me her notion of good things—telling me to be glad I was not as bare-dressed as a tree in winter, to be grateful that the little skeleton of a girl lying in a gutter was not me, to recognize that the shade of a willow tree in unbearable heat was a happy sacrifice I could make to those who were either older or younger than I was, which was everybody, as it always turned out. I followed Sweet Ma's instructions so that eventually I could feel not naturally, but only carefully.

From Saving Fish From Drowning by Amy Tan. Copyright Amy Tan 2005. All rights reserved. Reproduced by permission of Putnam Publishing. No part of this book maybe reproduced without written permission from the publisher.