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"She knows Tess," put in Mother from the backseat. Tess was her old
college roommate from Converse. "Tess will be meeting her train tomorrow
morning."
"So why didn't she stay with Tess at Christmas, when she went down for
that interview?" His voice had edged up a decibel.
"Well, I guess she wanted to stay with someone else at Christmas,"
Mother neutrally suggested.
Of course I had told them, after the fact, with whom I'd stayed. Or
rather I had presented an acceptable configuration of the way in which
this family I had worked for last summer had offered me hospitality. Not
that any configuration of the Nightingales would ever be acceptable to
Earl.
"Well, I guess there's just no accounting for some people's taste, but
to move down there to be with that tribe . . ." Menacing pause before
the refrain: "When her dean said the Charlotte Observer would have taken
her."
The voice rolled on, but so, I congratulated myself, did the car. Every
mile we achieved was one mile nearer to my release. We had not veered
off the road or had a flat tire and nobody had backhanded me to start a
black eye for my first day at work.
Think of it as a scene early in a novel, I told myself: The stepfather
picks one last fight with the daughter who has not appreciated him. The
mother in the backseat, wedged among her daughter's boxes, knees tucked
under her like a college girl, is forgiving of the wild little breezes
that mess up her hairdo because they mute his voice. There will be
plenty more of it to listen to on their long drive back to the
mountains. Whose novel was this going to be? Not the stepfather's; the
writer might never grow the empathy for that one. Not the mother's,
either, though it catches in the daughter's throat to see the youthful
way the older woman is clasping her knees, wrapped in her own memories
of Chapel Hill, when she still expected to get everything she wanted. If
it was going to be the daughter's, there would be some choked-back sobs
in the mother's embrace at the train station, one last stoic offering of
the daughter's mouth for the imposition of the stepfather's kiss, and
then they would be gone on the next page.
When, as a last-minute taunt, Earl, in the act of setting down my
suitcases inside my roomette, asked if I thought I had "money to burn"
for this exclusive little compartment with its own washroom and
pull-down bed, I suppressed the perfect comeback that it was indeed a "burnt offering" of my graduation monies to thank the gods for my escape
from him. At long last I had learned that it was never too late for a
black eye when saying goodbye to certain people.
Alone in my luxury cubicle, I relaxed for the first time in months,
allowing the train's diesel engine to take over the job of getting me to
my destination. Woods pinked with afternoon June light alternated with
tobacco fields and tin-roofed drying barns. As we shot through a dreary
little hamlet, a character offered herself for my perusal: a girl born
and raised in this flyblown place who had dreams of going somewhere and
one day wakes up on her deathbed, a forgotten old maid who has never
left town, and hears this very train hurtle by. She feels the diesel cry
in the marrow of her bones and in her last conscious moment believes she
is aboard. She savors all the sweetness of having gotten out, and she
expires with a rapturous smile on her face for no one to see but the
undertaker.
Excerpted from Queen of the Underworld by Gail Godwin Copyright © 2006 by Gail Godwin. Excerpted by permission of Random House, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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