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Pete Redmarley said he'd heard of this Vietcong execution. "They
strips
yer, ties yer up, then rams Philadelphia cheese up yer jax.
Then they locks yer
in a coffin with a pipe goin' in. Then they send starving
rats down the pipe.
The rats eat through the cheese, then carry on chewin', into
you."
Everyone looked at Tom Yew for the answer. "I get this dream."
He took a
drag on his cigarette that lasted an age. "I'm with the last
bunch of survivors,
after an atomic war. We're walking up a motorway. No cars, just
weeds. Every
time I look behind me, there're fewer of us. One by one, you
see, the radiation's
getting them." He glanced at his brother Nick, then over the
frozen
lake. "It's not that I'll die that bothers me. It's that I'll be
the last one."
Nobody said a lot for a bit.
Ross Wilcox swiveled our way. He took a drag on his cigarette
that lasted
an age, the poser. "If it wasn't for Winston Churchill you
lot'd all be speakin'
German now."
Sure, like Ross Wilcox would've evaded capture and headed a
resistance
cell. I was dying to tell that prat that actually,
if the Japanese hadn't bombed
Pearl Harbor, America'd never've come into the war, Britain'd've
been
starved into surrender, and Winston Churchill'd've been executed
as a war
criminal. But I knew I couldn't. There were swarms of
stammer-words in
there, and Hangman's bloody merciless this January. So I said I
was busting
for a waz, stood up, and went down the path to the village a
bit. Gary Drake
shouted, "Hey, Taylor! Shake your dong more than twice, you're
playing with
it!," which got fat laughs from Neal Brose and Ross Wilcox. I
flashed them a
V-sign over my shoulder. That stuff about shaking your dong's a
craze at the
moment. There's no one I can trust to ask what it means.
Trees're always a relief, after people. Gary Drake and Ross
Wilcox might've
been slagging me off, but the fainter the voices became, the
less I wanted to go
back. I loathed myself for not putting Ross Wilcox in his
place about speaking
German, but it'd've been death to've started stammering
back there. The
cladding of frost on thorny branches was thawing and fat drops
drip-drip-dripping.
It soothed me, a bit. In little pits where the sun couldn't
reach there
was still some gravelly snow left, but not enough to make a
snowball. (Nero
used to kill his guests by making them eat glass food, just for
a laugh.) A robin,
I saw, a woodpecker, a magpie, a blackbird, and far off I
think I heard a
nightingale, though I'm not sure you get them in January. Then,
where the
faint path from the House in the Woods meets the main path to
the lake, I
heard a boy, gasping for breath, pounding this way. Between a
pair of wishbone
pines I squeezed myself out of sight. Phelps dashed by,
clutching his
master's peanut Yorkie and a can of Tizer. (Rhydd's must be out
of Top Deck.)
Behind the pines a possible path led up the slant. I know all
the paths in this
part of the woods, I thought. But not this one. Pete Redmarley
and Grant
Burch'd start up British Bulldogs again when Tom Yew left. That
wasn't much
of a reason to go back. Just to see where the path might go, I
followed it.
There's only one house in the woods so that's what we call it,
the House in the
Woods. An old woman was s'posed to live there, but I didn't know
her name
and I'd never seen her. The house's got four windows and a
chimney, same as
a little kid's drawing of a house. A brick wall as high as me
surrounds it and
wild bushes grow higher. Our war games in the woods steered
clear of the
building. Not 'cause there're any ghost stories about it or
anything. It's just
that part of the woods isn't good.
Excerpted from Black Swan Green by David Mitchell Copyright © 2006 by David Mitchell. Excerpted by permission of Random House, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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