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A Novel
by Carrie Tiffany
Some of the men ask about my sewing. Mr. Baker breaks off from pig talk and
points at my lap.
"And what useful item are you making there, Miss Finnegan?"
I hold the lace netting out to him.
"Ah, a veil." His whiskers dip and bob as he speaks. "Do you have a sister
getting married?"
"I have no sisters."
Mary covers the marriage terrain for me as we lie on our bunks. It amuses her
so I feign interest. Sister Crock is already snoring loudly in the next
compartment. Mary starts with the older, portly men and works down to the more
likely. Many of them are damaged, either by the war or by work. Several have
lost fingers. Mr. Plattfuss has a glass eye. Mr. Baker has a glass eye and an
ugly, dragging scar across his cheek where a sharp fencing wire has danced upon
him. All of the older men, that is older than thirty, have sun-roughened skin
and thinning hair. Mr. Pettergree, the new soil and cropping expert, seems to be
some sort of scientific recluse. He never comes to the sitting car and we have
seen him only from a distance.
"And what think you of the Asiatic?" Mary asks me with mock formality.
I laugh, but the truth is I think of Mr. Ohno a great deal. I imagine him
standing in the poultry car taking off his jacket. He hands it to me so I can
study its strange seams and creases. Then I can't help but lift it to my face.
Only one of the men is beautiful -- Mr. Kit Collins from horticulture. Mr.
Kit Collins has large green eyes and curly hair. He is an expert on the pruning
and irrigation of fruit trees. On rest days when the men play cricket in a
paddock next to the train, Mr. Kit Collins always switches the ball for an
orange, and the batsman always pretends he hasn't noticed until after the orange
has been hit and flies mushily through the air.
Copyright © 2005 by Carrie Tiffany
Analyzing humor is like dissecting a frog. Few people are interested and the frog dies of it.
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