Explore our new BookBrowse Community Forum!

Excerpt from After This by Alice McDermott, plus links to reviews, author biography & more

Summary |  Excerpt |  Reading Guide |  Reviews |  Beyond the Book |  Readalikes |  Genres & Themes |  Author Bio

After This by Alice McDermott

After This

A Novel

by Alice McDermott
  • BookBrowse Review:
  • Critics' Consensus:
  • Readers' Rating:
  • First Published:
  • Sep 5, 2006, 288 pages
  • Paperback:
  • Sep 2007, 288 pages
  • Rate this book

  • Buy This Book

About this Book

Print Excerpt

I

Leaving the church, she felt the wind rise, felt the pinprick of pebble and grit against her stockings and her cheeks—the slivered shards of mad sunlight in her eyes. She paused, still on the granite steps, touched the brim of her hat and the flying hem of her skirt—felt the wind rush up her cuffs and rattle her sleeves.


And all before her, the lunch-hour crowd bent under the April sun and into the bitter April wind, jackets flapping and eyes squinting, or else skirts pressed to the backs of legs and jacket hems pressed to bottoms. And trailing them, outrunning them, skittering along the gutter and the sidewalk and the low gray steps of the church, banging into ankles and knees and one another, scraps of paper, newspapers, candy wrappers, what else?—office memos? shopping lists? The paper detritus that she had somewhere read, or had heard it said, trails armies, or was it (she had seen a photograph) the scraps of letters and wrappers and snapshots that blow across battlefields after all but the dead have fled?


She squinted against the sunlight on taxi hoods and bus windows, heard the rushing now of air and of taxis, wheezing buses, and underneath it all something banging—a loosened street sign, a trapped can, a distant hammer—rhythmic and methodical. The march of time.


And then George approaching, his hand stuck to his hat and the hat bent into the onslaught. She went down the steps just in front of him, drawn more by forward momentum than by any desire to meet up with, or to avoid, her brother’s latest best pal.


The cold wind made it difficult to breathe, as if it could snatch your next breath before you had time to swallow it, and she bent her head, too, hand to her hat, submerged in wind and beginning to imagine herself slowly losing ground with each step forward, slowly beginning to stall, and then to sail backward—a quick scramble to regain ground and then another sailing backward. In church she had prayed for contentment. She was thirty, with no husband in sight. A good job, an aging father, a bachelor brother, a few nice friends. At least, she had asked—so humbly, so earnestly, so seriously—let me be content.


And now a slapstick windstorm fit for Harold Lloyd or Buster Keaton.


It was either God’s reply or just April again, in the wind tunnel that was midtown Manhattan. The scent of it, the Easter scent of April in the city, all around her, in the cold air itself as well as on the shoulders of the crowd; the smell of sunlight and dirt, something warming at the heart of it all.


And then she felt his hand on her shoulder and he shouted, “Mary Rose,” which bound him forever to her brother and her father and her life at home since nowhere else did she tolerate the double name. His head was still lowered, his hand still on his hat—he might have been waiting for the right opportunity to doff it—and he peered around at her from under its brim as if from under the rock of another life.


And she, her hand on the back of her own hat, did the same.


“Hello, George,” she said. She could feel the crunch of city grit between her back teeth.


“Some wind,” he said. He had one eye closed against it, the other was watery.


“You’re telling me,” she said.


They walked together to the corner and as they stepped off the curb, he suddenly reached up and took her raised elbow—the one that led to the hand she held against her hat—and kept it between his fingers as they crossed. She thought he must look like a man attached to a subway strap. At the next corner, he did the same; a gesture that was either brotherly or proprietary, but awkward either way, as if one of them were blind or doddering, or as if both were involved in some odd, raised-elbow folk dance. At Forty-sixth, the light was against them and the wind paused enough for her to take her hand off her hat while they waited with the crowd.

Excerpted from After This by Alice McDermott. Copyright © 2006 by Alice McDermott. Published in September 2006 by Farrar, Straus and Giroux, LLC. All rights reserved.

Membership Advantages
  • Reviews
  • "Beyond the Book" articles
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $45 for 12 months or $15 for 3 months.
  • More about membership!

Top Picks

  • Book Jacket: Graveyard Shift
    Graveyard Shift
    by M. L. Rio
    Following the success of her debut novel, If We Were Villains, M. L. Rio's latest book is the quasi-...
  • Book Jacket: The Sisters K
    The Sisters K
    by Maureen Sun
    The Kim sisters—Minah, Sarah, and Esther—have just learned their father is dying of ...
  • Book Jacket: Linguaphile
    Linguaphile
    by Julie Sedivy
    From an infant's first attempts to connect with the world around them to the final words shared with...
  • Book Jacket
    The Rest of You
    by Maame Blue
    At the start of Maame Blue's The Rest of You, Whitney Appiah, a Ghanaian Londoner, is ringing in her...

Members Recommend

  • Book Jacket

    Pony Confidential
    by Christina Lynch

    In this whimsical mystery, a grumpy pony must clear his beloved human's name from a murder accusation.

Who Said...

There is no such thing as a moral or immoral book. Books are either well written or badly written. That is all.

Click Here to find out who said this, as well as discovering other famous literary quotes!

Wordplay

Solve this clue:

F the M

and be entered to win..

Your guide toexceptional          books

BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.