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The Story of an African Childhood
by Robyn Scott
Supporting herself against the lid, Granny explained that
years ago a spitting cobra had slithered into the maze of pipes
at
the back of the freezer. When, after several hours, the snake
had
shown no signs of wanting to come out, Grandpa had dragged
the Deepfreeze outside. He had never got around to taking it
back indoors.
Grandpa, unabashed, just laughed, "We're hoping it'll work
by solar power!" he announced, patting the Deepfreeze and
dislodging
a small cloud of dust.
Granny and Grandpa slept in a converted veranda at the
front of the house, the strangest bedroom I had ever seen. At
one
end of the long narrow room stood Granny and Grandpa's sagging
double bed; at the other, a warped Ping- Pong table, piled
high with a jumble of pipes, wood, rolls of plastic, old radios,
and unrecognizable machines. Beneath the table, several dusty
engines squatted on the concrete floor, crammed tightly beside
each other and an assortment of smaller unmemorable objects
tossed in among them.
At this, the Ping- Pong table side of the room, casting the
chaos in a strange soft light, faded green shade cloth stretched
from a three- foot- high wall to just below the eaves. Clearly
visible
through these gauzy windows, just outside the front of the
house,
stood a haphazardly packed shed the size of a single garage. In
the
center of the shed, surrounded by more engines and more junk,
rested a battered old airplane fuselage. The wings of the
airplane
had been removed. Suspended by fraying loops of rope, they now
hung inside, from the bedroom roof one above the Ping- Pong
table, the other above Granny and Grandpa's bed.
To reach the lounge from the driveway, you passed through
this oddest of rooms: table on the left, bed on the right, wings
above meeting at their tips in the middle of the roof.
Sometimes,
when the door banged closed, the ropes creaked gently.
On that first day in Botswana, nearly everything about the house
was surprising. But it was the passage through the front and
back doors that would preserve its wonder. Even years later, it
would be impossible to walk beneath the old Aeronca wings or
pass beside the lonely Deepfreeze without the fleeting sensation
that everything wasn't quite right; that, as with Granny's
jigsaws,
the last pieces were missing or misplaced.
Nearby, where the bare dirt ran into thorny bush, a second
airplane winged but even more damaged than the first lay
beneath a scraggly thorn tree, disintegrating into the scrub and
dust. The red- and- white wreck was the Piper Colt, a part of
family
legend that, like the Aeronca, I'd felt I had known long before
the
day the two airplanes left the realm of stories, appearing as
real
objects in this strange new world.
Airplanes starred in most of our favorite tales about Grandpa
Ivor. And although he'd first flown in the South African Air
Force during World War II, the backdrop to these jaw- dropping
flying stories was always Botswana, which did not become his
home until the early 1960s. After the war, repelled by all
associated
with a time that had seen the loss of a brother and many
of his dearest friends, Grandpa had started a string of
unsuccessful
businesses, and it was not until his forties, when he left
South Africa and with it Granny Mavis, his first wife, and his
three young sons, Henry, Keith, and Jonathan that flying again
became his livelihood.
Based, initially, in a remote bush camp near the Okavango
Delta, Grandpa Ivor worked as a commercial pilot, flying the
first
road builders, the last of the great white hunters, game
department
officials, mining prospectors, and, for a time, Sir Seretse
Khama, Botswana's late, great, beloved first president. With a
single plane, a Beechcraft Baron, he established the
impressive-sounding
Okavango Air Services, one of Botswana's first charter
flight businesses. With the Aeronca, he began to teach flying,
going on to found the country's first flying school.
Excerpted from Twenty Chickens for a Saddle (chapter 1, pages 1-14) by Robyn Scott. Reprinted by arrangement with The Penguin Press, a member of Penguin Group (USA), Inc. Copyright (c) Robyn Scott, 2008.
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