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Here, she said, let me know how it goes.
At home, Lillian opened the bag and inhaled aromas of
orange, cinnamon, bittersweet chocolate, and something she
couldnt quite identify, deep and mysterious, like perfume lingering
in the folds of a cashmere scarf. She emptied the ingredients
from the bag onto the kitchen counter and unfolded the
paper Abuelita had placed on top, looking at it with a certain
reserve. It was a recipe, even if this one was in Abuelitas writing,
each letter thick as a branch and almost as stiff. Lillians
hand itched to throw the recipe away but she hesitated as her
eyes caught on the first line of the instructions.
Find your magic wand.
Lillian stopped.
Well, okay, then, she said. She pulled a chair up to the kitchen
counter and stood on it, reaching on top of the cabinet for the
small, red tin box where she kept her most valued possessions.
The wand was close to the bottom of the box, underneath her
first movie ticket and the miniature replica of a Venetian bridge
her father had given her not long before he departed, leaving
behind only money and his smell on the sheets, the latter gone
long before Lillian learned how to do laundry. Underneath the
wand was an old photograph of her mother holding a baby Lillian,
her mothers eyes looking directly into the camera, her
smile as huge and rich and gorgeous as any chocolate cake Lillian
could think of making.
Lillian gazed at the photograph for a long time, then got
down off the chair, the wand gripped in her right hand, and
picked up the recipe.
Put milk in a saucepan. Use real milk, the thick kind.
Abuelita was always complaining about the girls from
Lillians school who wouldnt eat her tamales, or who asked for
enchiladas without sour cream and then carefully peeled off the
cheese from the outside.
Skinny girls, Abuelita would say with disdain, they
think you attract bees with a stick.
Make orange curls. Set aside.
Lillian smiled. She felt about her zester the way some women
do about a pair of spiky red shoes a frivolous splurge, good only
for parties, but oh so lovely. The day Lillian had found the little
utensil at a garage sale a year before, she had brought it to Abuelita,
face shining. She didnt even know what it was for back then, she
just knew she loved its slim stainless-steel handle, the fanciful bit
of metal at the working end with its five demure little holes, the
edge scalloped around the openings like frills on a petticoat. There
were so few occasions for a zester; using it felt like a holiday.
Lillian picked up the orange and held it to her nose, breathing
in. It smelled of sunshine and sticky hands, shiny green
leaves and blue, cloudless skies. An orchard, somewhere
California? Florida? her parents looking at each other over the
top of her head, her mother handing her a yellow-orange fruit,
bigger than Lillians two hands could hold, laughing, telling
her this is where grocery stores come from.
Now Lillian took the zester and ran it along the rounded
outer surface of the fruit, slicing the rind into five long orange
curls, leaving behind the bitter white beneath it.
Break the cinnamon in half.
The cinnamon stick was light, curled around itself like a
brittle roll of papyrus. Not a stick at all, Lillian remembered as
she looked closer, but bark, the meeting place between inside
and out. It crackled as she broke it, releasing a spiciness, part
heat, part sweet, that pricked at her eyes and nose, and made
her tongue tingle without even tasting it.
Add orange peel and cinnamon to milk. Grate the chocolate.
The hard, round cake of chocolate was wrapped in yellow
plastic with red stripes, shiny and dark when she opened it. The
chocolate made a rough sound as it brushed across the fine section
of the grater, falling in soft clouds onto the counter, releasing
a scent of dusty back rooms filled with bittersweet chocolate and
old love letters, the bottom drawers of antique desks and the last
leaves of autumn, almonds and cinnamon and sugar.
From the prologue to The School of Essential Ingredients by Erica Bauermeister. Copyright Erica Bauermeister 2009. All rights reserved. No part of this book maybe reproduced without written permission from the publisher.
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