Sign up for our newsletters to receive our Best of 2024 ezine!

Excerpt from Q&A (Slumdog Millionaire) by Vikas Swarup, plus links to reviews, author biography & more

Summary |  Excerpt |  Reading Guide |  Reviews |  Readalikes |  Genres & Themes |  Author Bio

Q&A (Slumdog Millionaire) by Vikas Swarup

Q&A (Slumdog Millionaire)

by Vikas Swarup
  • Critics' Consensus (6):
  • Readers' Rating (1):
  • First Published:
  • Jul 26, 2005, 336 pages
  • Paperback:
  • Nov 2008, 336 pages
  • Rate this book

About this Book

Print Excerpt

Chapter 1

1,000 Rupees

The Death of a Hero

The third bell has sounded. The purple velvet curtain is about to be raised. The lights are progressively dimming, till only the red signs showing EXIT remain, glowing like embers in the darkened hall. Popcorn sellers and cold-drinks vendors begin to leave. Salim and I settle down in our seats.

The first thing you must know about Salim is that he is my best friend. The second is that he is crazy about Hindi films. But not all Hindi films. Just the ones featuring Armaan Ali.

They say that first there was Amitabh Bachchan. Then there was Shahrukh Khan. Now there is Armaan Ali. The ultimate action hero. The Indian Greek god. The heartthrob of millions.

Salim loves Armaan. Or, more accurately, he worships Armaan. His tiny room in the chawl is a shrine. It is lined with posters of all kinds depicting the hero in various poses. Armaan in a leather jacket. Armaan on a motorbike. Armaan with his shirt off, baring his hairy chest. Armaan with a gun. Armaan on a horse. Armaan in a pool, surrounded by a bevy of beauties.

We are occupying seats A21 and A22 in the very first row of the dress circle in Regal Talkies in Bandra. We shouldn't really be sitting here. The tickets in my front pocket do not say DRESS CIRCLE RS. 150. They say FRONT STALL RS. 25. The usher was in a good mood today and did us a favor. He told us to go and enjoy the balcony because the stalls were practically deserted. Even the balcony is almost empty. Apart from Salim and me, there are no more than two dozen people in the rows ahead of us.

When Salim and I go to the movies, we usually sit in the front stalls, where we can make catcalls and whistle. Salim believes the nearer you sit to the screen, the closer you are to the action. He says he can lean forward and almost touch Armaan. He can count the veins on Armaan's biceps, he can see the whites of Armaan's hazel-green eyes, the fine stubble on Armaan's cleft chin, the little black mole on Armaan's chiseled nose.

I am not particularly fond of Armaan Ali. I think he acts the same way in every movie. But I, too, like to sit in the front rows, as close to the giant screen as possible. The heroine's breasts appear more voluptuous from there.

The curtain has now lifted, and the screen flickers to life. First we have the advertisements. Four sponsored by private companies and one by the government. We are told how to come first at school and become champions in cricket by eating cornflakes for breakfast. How to drive fast cars and win gorgeous girls by using Spice cologne. ("That's the perfume used by Armaan," exclaims Salim.) How to get a promotion and have shiny white clothes by using Roma soap. How to live life like a king by drinking Red & White whisky. And how to die of lung cancer by smoking cigarettes.

After the adverts, there is a little pause while the reels are changed. We cough and clear our throats. And then the censor certificate appears on the CinemaScope screen. It tells us that the film has been certified U/A, has seventeen reels and a length of 4,639.15 meters. The certificate is signed by one Mrs. M. Kane, chairman of the Censor Board. She is the one who signs all censor certificates. Salim has often asked me about this lady. He really envies her job. She gets to see Armaan's pictures before anyone else.

The opening credits begin to roll. Salim knows everyone in this film. He knows who is the wardrobe man, who is the hairstylist, who is the makeup man. He knows the names of the production manager, the finance controller, the sound recordist, and all the assistants. He doesn't speak English very well, but he can read names, even the ones in really small print. He has watched this film eight times already, and every time he memorizes a new name. But if you were to see the concentration on his face right now, you would think he was watching the First Day First Show with black-market tickets.

Copyright © 2005 by Vikas Swarup

Membership Advantages
  • Reviews
  • "Beyond the Book" articles
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $45 for 12 months or $15 for 3 months.
  • More about membership!

Top Picks

  • Book Jacket: Small Rain
    Small Rain
    by Garth Greenwell
    At the beginning of Garth Greenwell's novel Small Rain, the protagonist, an unnamed poet in his ...
  • Book Jacket: Daughters of Shandong
    Daughters of Shandong
    by Eve J. Chung
    Daughters of Shandong is the debut novel of Eve J. Chung, a human rights lawyer living in New York. ...
  • Book Jacket: The Women
    The Women
    by Kristin Hannah
    Kristin Hannah's latest historical epic, The Women, is a story of how a war shaped a generation ...
  • Book Jacket: The Wide Wide Sea
    The Wide Wide Sea
    by Hampton Sides
    By 1775, 48-year-old Captain James Cook had completed two highly successful voyages of discovery and...

BookBrowse Book Club

Book Jacket
In Our Midst
by Nancy Jensen
In Our Midst follows a German immigrant family’s fight for freedom after their internment post–Pearl Harbor.
Who Said...

It is among the commonplaces of education that we often first cut off the living root and then try to replace its ...

Click Here to find out who said this, as well as discovering other famous literary quotes!

Wordplay

Big Holiday Wordplay 2024

Enter Now

Your guide toexceptional          books

BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.