Excerpt from Blind Man's Bluff by Sherry Sontag, plus links to reviews, author biography & more

"Shit, this is just a piece of spaghetti," an impatient Austin fumed, holding onto a piece of coaxial cable that the workers just couldn't seem to install correctly. "Plain old coax, half-inch. And it looks to me like you ought to be able to get plans to do this thing. Why can't you just go by the plans?"

Austin was itching to get started. A tiny cubicle was being set up for him and his spy gear on the same deck as the control room, close to the radio room. He was ready to run the coaxial cable into what he called his "black box." Actually colored good old Navy gray, the box was one of a kind, built to capture the radio signals that the Soviets would have to use to send telemetry instructions to any missiles they were trying to test. Standing but two and a half feet tall, the box was designed to record signals on slivers of wire tape, and it was probably the most sensitive and secret device on Cochino.

The line from that box would run up through the hull and connect to new "ears" placed on the side of the sub's sail, the large steel piece that created the shark fin on the submarine's otherwise smooth hull. These special antennas really did look like ears. They were little wire C's sprouting about a foot from the sail, one on each side. With these extra wires added to Cochino's array of the usual antennas, the sub had the look of a B-movie alien creature.

Everything was finally installed by mid-August, and Cochino set out from Portsmouth accompanied by Tusk and two standard fleet boats, the USS Toro (SS-422) and the USS Corsair (SS-435). They were operating under strict radio silence, on what the Navy called a "simulated war patrol." No one onshore was supposed to know where they were. When they left England, they were to disappear.

Within hours of their departure, the seals around Austin's cables gave way, giving Austin an unwelcome shower inside his cubicle. He managed, with a bit of tightening and some fiddling, to get his system working again. But if the seals failed again, he would have to clamp off his cables, and his part of the mission would be over.

By now, the crew knew that this mission was going to be different, just as most knew that their newest crew member was not what he seemed. Red Austin might have worn a radioman's sparks on his uniform but he really worked for the Naval Security Group, the fabled cryptological service that had intercepted and decoded crucial Japanese Navy communications during World War II. That much was secret, but even the crew realized that no common radioman would ever consult this closely with the captain.

Still, submariners are submariners, and the most popular on board are always going to be the guys with the best sea stories. That was especially true on Cochino, where about one-third of the crew had been through the war. Austin brought war stories from his cruiser days, and he played a mean game of acey-deucey, a sailors' take on backgammon that had been carried to sea for more than a century. Besides, it was hard not to become fast friends when everyone was "hot-bunking"--grabbing sleep when other guys woke up, moving on to make space for the next shift, time-share submarine style. The crew was divided into three groups operating according to three different time zones. One group lived by Eastern Standard Time, another by Honolulu time, and another by Indian Ocean time. There were three sets of sonar operators, of weapons techs, of cooks, of radio operators, of men for whatever job needed to be done.

Only the CO, his executive officer (XO), Lieutenant Commander Richard M. Wright, Austin, and his assistant lived across those time zones. Austin didn't mind his triple-duty load, not when he got a chance to eat some of the three breakfasts, three lunches, and three dinners served on board everyday. The man loved food, even Spam, and he saw no reason to quarrel with powdered eggs.

From Blind Man's Bluff : The Untold Story of American Submarine Espionage, by Sherry Sontag; Christopher Drew; Annette L. Drew. © 1997 by Sherry Sontag; Christopher Drew; Annette L. Drew. Used by permission.