Excerpt from Zeitoun by Dave Eggers, plus links to reviews, author biography & more

Aisha hung on his leg. "Don't leave, Baba," she said. She was given to theatrics - Kathy called her Dramarama - and all that Austen had made the tendency worse.

He was already thinking about the day's work ahead, and even at seven- thirty he felt behind.

Zeitoun looked down at Aisha, held her face in his hands, smiled at the tiny perfection of her dark wet eyes, and then extracted her from his shin as if he were stepping out of soggy pants. Seconds later he was in the driveway, loading the van.



Aisha went out to help him, and Kathy watched the two of them, thinking about his way with the girls. It was difficult to describe. He was not an overly doting father, and yet he never objected to them jumping on him, grabbing him. He was firm, sure, but also just distracted enough to give them the room they needed, and just pliant enough to let himself be taken advantage of when the need arose. And even when he was upset about something, it was disguised behind those eyes, grey-green and long-lashed. When they met, he was thirteen years older than Kathy, so she wasn't immediately sold on the prospect of marriage, but those eyes, holding the light the way they did, had seized her. They were dream-filled, but discerning, too, assessing - the eyes of an entrepreneur. He could see a run-down building and have not only the vision to see what it might become, but also the practical knowledge of what it would cost and how long it would take.



Kathy adjusted her hijab in the front window, tucking in stray hairs - it was a nervous habit - while watching Zeitoun leave the driveway in a swirling grey cloud. It was time for a new van. The one they had was a crumbling white beast, long-suffering but dependable, filled with ladders and wood and rattling with loose screws and brushes. On the side was their ubiquitous logo, the words Zeitoun A. Painting Contractor next to a paint roller resting at the end of a rainbow. The logo was corny, Kathy admitted, but it wasn't easy to forget. Everyone in the city knew it, from bus stops and benches and lawn signs; it was as common in New Orleans as live oak or royal fern. But at first it was not so benign to all.

When Zeitoun first designed it, he'd had no idea that a sign with a rainbow on it would signify anything to anyone — anything other than the array of colors and tints from which clients might choose. But soon enough he and Kathy were made aware of the signals they were sending.
 
Immediately they began getting calls from gay couples, and this was good news, good business. But at the same time, some potential clients, once they saw the van arrive, were no longer interested in Zeitoun A. Painting Contractor LLC. Some workers left, thinking that by working under the Zeitoun Painting rainbow they would be presumed to be gay, that somehow the company managed to employ only gay painters.
 
When Zeitoun and Kathy caught on to the rainbow's signifying power, they had a serious talk about it. Kathy wondered if her husband, who did not at that point have any gay friends or family members, might want to change the logo, to keep their message from being misconstrued.
 
But Zeitoun barely gave it a thought. It would costa  lot of money he said — about twenty signs had been made, not to mention all the business cards and stationary — and besides, all the new clients were paying their bills. It wasn't much more complicated than that.

"Think about it," Zeitoun laughed. "We're a Muslim couple running a painting company in Louisiana. Not such a good idea to turn away clients." Anyone who had a problem with rainbows, he said, would surely have trouble with Islam.

So the rainbow remained.



Zeitoun pulled onto Earhart Boulevard, though a part of him was still in Jableh. Whenever he had these morning thoughts of his childhood, he wondered how they all were, his family in Syria, all his brothers and sisters and nieces and nephews scattered up and down the coast, and those who had long ago left this world. His mother died a few years after his father passed on, and he'd lost a treasured brother, Mohammed, when he was very young. But the rest of his siblings, those still in Syria and Spain and Saudi Arabia, were all doing well, extraordinarily so. The Zeitouns were a high-achieving clan, full of doctors and school principals and generals and business owners, all of them with a passion for the sea. They had grown up in a big stone house on the Mediterranean, and none had strayed far from the shore. Zeitoun made a note to call Jableh sometime that day. There were always new babies, always news. He only had to reach one of his brothers or sisters — there were seven still in Syria — and he could get the full report.

Excerpted from Zeitoun by Dave Eggers Copyright © 2010 by Dave Eggers. Excerpted by permission of Vintage, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.