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Stories
by Colm Toibin
She disliked her husband only when he came to her at night in those first months; his fumbling and panting, his eager hands and his sour breath, gave her a sense that daylight and many layers of clothing and servants and large furnished rooms and chatter about politics or paintings were ways to distract people from feeling a revulsion towards each other.
There were times when she saw him in the distance or had occasion to glance at his face in repose when she viewed him as someone who had merely on a whim or a sudden need rescued her or captured her. He was too old to know her, he had seen too much and lived too long to allow anything new, such as a wife thirty-five years his junior, to enter his orbit. In the night, in those early months, as she tried to move towards him to embrace him fully, to offer herself to his dried-up spirit, she found that he was happier obsessively fondling certain parts of her body in the dark as though he were trying to find something he had mislaid. And thus as she attempted to please him, she also tried to make sure that, when he was finished, she would be able gently to turn away from him and face the dark alone as he slept and snored. She longed to wake in the morning and not have to look at his face too closely, his half-opened mouth, his stubbled cheeks, his grey whiskers, his wrinkled skin.
All over London, she thought, in the hours after midnight in rooms with curtains drawn, silence was broken by grunts and groans and sighs. It was lucky, she knew, that it was all done in secret, lucky also that no matter how much they talked of love or faithfulness or the unity of man and wife, no one would ever realize how apart people were in these hours, how deeply and singly themselves, how thoughts came that could never be shared or whispered or made known in any way. This was marriage, she thought, and it was her job to be calm about it. There were times when the grim, dull truth of it made her smile.
Nonetheless, there was in the day almost an excitement about being the wife of Sir William Gregory, of having a role to play in the world. He had been lonely, that much was clear. He had married her because he had been lonely. He longed to travel and he enjoyed the idea now that she would arrange his clothes and listen to him talk. They could enter dining rooms together as others did, rooms in which an elderly man alone would have appeared out of place, too sad somehow.
And because he knew his way around the world - he had been governor of Ceylon, among other things - he had many old friends and associates, was oddly popular and dependable and cultured and well informed and almost amusing in company. Once they arrived in Cairo, therefore, it was natural that they would stay in the same hotel as the young poet Wilfrid Scawen Blunt and his grand wife, that the two couples would dine together and find each other interesting as they discussed poetry lightly and then, as things began to change, argued politics with growing intensity and seriousness.
Wilfrid Scawen Blunt. As she lay in the bed with the light out, Lady Gregory smiled at the thought that she would not need ever to write his name down on any list. His name belonged elsewhere; it was a name she might breathe on glass or whisper to herself when things were harder than she had ever imagined that anything could become. It was a name that might have been etched on her heart if she believed in such things.
His fingers were long and beautiful; even his fingernails had a glow of health; his hair was shiny, his teeth white. And his eyes brightened as he spoke; thinking made him smile and when he smiled he exuded a sleek perfection. He was as far from her as a palace was from her house in Coole or as the heavens were from the earth. She liked looking at him as she liked looking at a Bronzino or a Titian and she was careful always to pretend that she also liked looking at his wife, Byron's granddaughter, although she did not.
Excerpted from The Empty Family by Colm Toibin. Copyright © 2011 by Colm Toibin. Excerpted by permission of Scribner. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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