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A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary
by Simon Winchester
Another policeman, Henry Burton, who had heard the piercing whistle, as had a third, William Ward, rushed to the scene. According to Burton's notes, he dashed toward the echoing sound and came across his colleague Tarrant, who was by then holding a man, as if arresting him. "Quick!" cried Tarrant. "Go to the road - a man has been shot!" Burton and Ward raced toward Belvedere Road and within seconds found the unmoving body of a dying man. They fell to their knees, and onlookers noted they had cast off their helmets and gloves and were hunched over the victim.
There was blood gushing onto the pavement - blood staining a spot that would for many months afterward be described in London's more dramatically minded papers as the location of A HEINOUS CRIME, A TERRIBLE EVENT, AN ATROCIOUS OCCURRENCE, A VILE MURDER.
The Lambeth Tragedy, the papers eventually settled upon calling it - as if the simple existence of Lambeth itself were not something of a tragedy. Yet this was a most unusual event, even by the diminished standards of the marsh dwellers. For though the place where the killing occurred had over the years been witness to many strange events, the kind eagerly chronicled in the penny dreadfuls, this particular drama was to trigger a chain of consequences that was quite without precedent. And while some aspects of this crime and its aftermath would turn out to be sad and barely believable, not all of them, as this account will show, were to be wholly tragic. Far from it, indeed.
Even today Lambeth is a singularly unlovely part of the British capital, jammed anonymously between the great fan of roads and railway lines that take commuters in and out of the city center from the southern counties. These days the Royal Festival Hall and the South Bank Centre stand there, built on the site of the 1951 fairgrounds where an entertainment was staged to help cheer up the rationed and threadbare Londoners. Otherwise it is an unlovely, characterless sort of place - rows of prisonlike buildings that house lesser government ministries, the headquarters of an oil company around which winter winds whip bitterly, a few unmemorable pubs and newspaper shops, and the lowering presence of Waterloo Station - lately expanded with the terminal for the Channel Tunnel express trains - which exerts its dull magnetic pull over the neighborhood.
The railway chiefs of old never bothered to build a grand station hotel at Waterloo - though they did build monster structures of great luxury at the other London stations, like Victoria and Paddington, and even St. Pancras and King's Cross. Lambeth has long been one of the nastier parts of London; until very recently, with the further development of the Festival Hall site, no one of any style and consequence has ever wanted to linger there, neither a passenger back in the days of the Victorian boat trains, nor anyone for any reason at all today. It is slowly improving; but its reputation dogs it.
A hundred years ago it was positively vile. It was still then low, marshy, and undrained, a swampy gyre of pathways where a sad little stream called the Neckinger seeped into the Thames. The land was jointly owned by the Archbishop of Canterbury and the Duke of Cornwall, landlords who, rich enough in their own right, never bothered to develop it in the manner of the great...
Excerpted from The Professor and The Madman, Copyright (c) 1998 by Simon Winchester. Reprinted with permission from Harper Collins Publishers Inc. All rights reserved.
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